A Quote by Jacqueline Bisset

I have emotional strings that tie me to Europe. — © Jacqueline Bisset
I have emotional strings that tie me to Europe.
The purse strings tie us to our kind.
Acting for me is finding those things that, finding the strings of humanity that tie us all together. And you only find that by living life and loving and breaking up.
I had to, ... Tie my suit up, tie my tie and just get downstairs to my car as fast as I could, so nobody could see me.
The bow tie started off with one of my friends, Kunta Littlejohn. He said if you want to be anybody, you've got to rock the bow tie. I dismissed it at first, but later he told me he had non-Hodgkin's lymphoma, so I decided to wear the bow tie to support him. And as he got better, I came to learn the power of the bow tie.
I like the strings. I always have. Because that's how it feels. But the strings make pain seem more fatal than it is, I think. We're not as frail as the strings would make us believe. And I like the grass, too. The grass got me to you, helped me to imagine you as an actual person. But we're not different sprouts from the same plant. I can't be you. You can't be me. You can imagine another well – but never quite perfectly, you know?
I think emotion is just anything that is emotional, you know, people can feel with music. Music is already so emotional, like the strings, the chords, and the notes and the melodies and stuff. And then you throw on a topic that everyone can relate to. That's gonna be real music.
The isolation of Eastern Europe actually helped me to be so original. I couldn't travel so much, I had to find my own things, such as making the strings sound like electronic music.
A professor I had in college used to tell me that if someone won’t listen to what you have to say because you’re not wearing a tie, then put on a tie, ’cause what you have to say is more important than not wearing a tie. He was right.
Tie me up, tie me down, make me moan real loud.
I don't tie my shoes right. I tie them the way you would tie a gift, like a bow.
That's all life is, I guess. Just a bunch of riffs. Look at me: I'm wearing a tie. Why am I wearing a tie? It's because I saw an adult wear a tie and I thought, Oh, that's what people do. We're all just trying to be what an adult is.
In my whole life, I've worn black tie three times. I can't tie the knot myself. Once, at the premiere of the opera, I got to La Scala before Domenico, and I was hiding in the corner until he arrived, and I said, 'Quick, you have to tie my tie, please!' Otherwise, I'll wear a tuxedo jacket with jeans and my bling-bling cross.
I like to combine the dramatic emotional warmth of strings with the grooves and body business of drums and bass.
Look at the fact Donald Trump cannot tie a tie. My father took me aside and taught me how to do this when I was eight. He can't shake hands. These are the basic building blocks of traditional masculine style, and he's a parody of it.
The lute I use has 10 courses and 19 strings, which is quite a lot of strings and a quite different fingerboard width from a classical guitar. I use a combination of flesh and nail when plucking the strings.
For me the world has always been more of a puppet show. But when one looks behind the curtain and traces the strings upward he finds they terminate in the hands of yet other puppets, themselves with their own strings which trace upward in turn, and so on. In my own life I saw these strings whose origins were endless enact the deaths of great men in violence and madness. Enact the ruin of a nation.
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