A Quote by Jacqueline Bisset

I don't come in with any preconceived ideas, and although I will have done some preparation, I can go which way the director wants. — © Jacqueline Bisset
I don't come in with any preconceived ideas, and although I will have done some preparation, I can go which way the director wants.
It is often said that experiments should be made without preconceived ideas. That is impossible. Not only would it make every experiment fruitless, but even if we wished to do so, it could not be done. Every man has his own conception of the world, and this he cannot so easily lay aside. We must, example, use language, and our language is necessarily steeped in preconceived ideas. Only they are unconscious preconceived ideas, which are a thousand times the most dangerous of all.
Some of the best ideas come from sheer discovery, and not by some masterminded, preconceived genius.
As an actor, I do not come with preconceived notions. I am like clay that can be moulded or like a sponge that can absorb things. I do what the director wants me to do.
I don't have any preconceived ideas of myself. I just take things as they come.
Someone with my name and my appearance comes with preconceived ideas attached. My mission is to erase as many preconceived ideas, barriers, and stereotypes as I can.
A child sees everything, looks straight at it, examines it, without any preconceived idea; most people, after they are about eleven or twelve, quite lose this power, they see everything through a few preconceived ideas which hang like a veil between them and the outer world.
... the sciences are like a beautiful river, of which the course is easy to follow, when it has acquired a certain regularity; but if one wants to go back to the source, one will find it nowhere, because it is everywhere; it is spread so much [as to be] over all the surface of the earth; it is the same if one wants to go back to the origin of the sciences, one will find only obscurity, vague ideas, vicious circles; and one loses oneself in the primitive ideas.
Normally my process is to sit in a room and read a script and talk about it and ask questions and just create a dialogue. That goes all the way through shooting. All kinds of thoughts and ideas can find their way in there. As long as you're all on - We're just all trying to tell the story so my job as a director is just to find out what this film wants to be based on, it's just words on a page at some point but then it just needs to go to some level of believable storytelling. I'm discovering the film as I make it, to some degree.
Come to close?No one wants to come to close.If it's done for them,they accept it,even while they condemn it.Why not?But no one wants to know what it's like.Turn a blind eye.Maybe it will go away.
You can go to a psychoanalyst one day and then go the next day and something else will come out. So, yes, there was some preparation. But still, when a person gets hypnotized, you don't really know what the outcome will be.
You can be playing a line some way and the director wants you to change that, or you can disagree. But I always think that the creative conversation between director and actor is what leads to good work.
The idea of full dress in preparation for a battle comes not from a belief that it will add to the fighting ability. The preparation is for death, in case that should be the result of the conflict. Every Indian wants to look his best when he goes to meet the Great Spirit, so the dressing up is done whether in imminent danger is an oncoming battle or a sickness or injury at times of peace.
I tend to not want to put labels or categories on the music, only because people come with preconceived ideas about what they're going to hear, or won't come for this reason.
I don't belong to any school or clique or ghetto. I don't have any preconceived ideas. I'm trying to serve a story and not a genre or a style.
Painting is almost like a religious experience, which should go on and on. Age just gives you the freedom to do some things you've never done before. Great work can come at any stage of your life.
Swoopers write a story quickly, higgledy-piggledy, crinkum-crankum, any which way. Then they go over it again painstakingly, fixing everything that is just plain awful or doesn’t work. Bashers go one sentence at a time, getting it exactly right before they go on to the next one. When they’re done they’re done.
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