A Quote by Jacqueline Bisset

I'm either offered window-dressing parts in large movies or little art films no one ever sees. People think the movies I end up doing are my real choices. I do the best things I'm offered.
As far as the type of movies I am offered is concerned, it's a mix. I have been offered both period films and the regular fare.
Directing is a big responsibility to take on. I think I'm only good at doing things I know very well. I don't direct movies because I get offered the new vampire movie or science fiction movie. I don't get offered those, anyway, but if I did, I would just tell 'em, "Look, I'm the wrong guy." I only do things about people and situations, and I do the ones that I think I'm the best guy for the job on, which is usually something I generate myself.
I have been offered so many parts in movies and I just think it's so outrageous as I've never really done acting or things like that.
I was offered 'Pretty Woman.' I was offered 'Big' and 'Dead Poets Society.' But what was important to me in those years was to make movies, to make these Albert Brooks movies.
When I was playing football, I was offered little parts in movies, but I always said 'No, thanks.' It didn't seem to be the right time.
I think scary movies work best when they're relatable, and I think one of the scariest things to young people now is bullying. Either doing it, being on the other end of it, being caught doing it.
I think there are things that aren't represented in movies that are a big part of everyone's life. We romanticize everything about people in movies. One of the things I don't like in movies is that people feel alone with their bodily functions in the real world, as if people in the movies don't do these things.
I'm always surprised at what I actually end up doing movies because I don't have a strategy or a game plan, especially now that I'm making my own choices where to act. I love strange things; my favorite movies are weird, eclectic, and intriguing.
We were film geeks. We devoured everything: really obscure art films, foreign films. We were the kind of guys that lived at the Cinematheque. But at the end of the day, your favorite movies are like everybody else's favorite movies. Because those are the movies that become a touch point where you can connect to other people.
I don't like being pigeonholed at all. It stemmed from after 'Mandy Lane': I was being offered all these horror movies. I love horror movies, but when I dreamed of being a director, it was always doing all sorts of things.
I don't control the movies that are offered to me, but I make choices based on certain parameters.
I like doing films and I wish that I could do more but I still have to audition. I don't get offered starring roles in movies even though I've written and starred in a movie.
As a black actress, all I was offered in British film was the best friend role, whereas in television, I was offered a whole spectrum of parts.
As a black actress, all I was offered in British film was the best friend role, whereas in TV I was offered a whole spectrum of parts.
If I had done some of the movies that I was offered as an actor - and very good movies, by the way, and some of them big moneymakers - I don't know that I ever would have taken what was the concentration or the time to do the movies that I produced. 'Reds' is a good example, but 'Shampoo' is also an example, and so was 'Heaven Can Wait.'
One of the tricky things about sort of larger, comic-book action movies is that the scale is so big that they have to save the world at the end of every movie, and so at the end of each of the films, either Chicago or New York end up getting obliterated.
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