A Quote by Jacqueline Carey

The harp sounds at each passing breeze, but that does not mean the tune is masterfully played. — © Jacqueline Carey
The harp sounds at each passing breeze, but that does not mean the tune is masterfully played.
The perfection of conversation is not to play a regular sonata, but, like the AEolian harp, to await the inspiration of the passing breeze.
Each string of a wind harp responds with a different note to the same breeze. What activity makes you personally resonate most strongly, most deeply?
I can pass days Stretch'd in the shade of those old cedar trees, Watching the sunshine like a blessing fall,-- The breeze like music wandering o'er the boughs, Each tree a natural harp,--each different leaf A different note, blent in one vast thanksgiving.
It was a show. Everyone played their parts masterfully.
While a man is stringing a harp, he tries the strings, not for music, but for construction. When it is finished it shall be played for melodies. God is fashioning the human heart for future joy. He only sounds a string here and there to see how far His work has progressed.
I don't look at people's expressions, because I still get nervous when I play, especially when I first put the harp up there. I just try to tune - it takes me a half-hour to tune, and I get nervous if I look at anybody when I do it.
Life demands sacrifice and difficult decisions from us at every moment. Living does not mean passing through a void of nothingness but rather through a web of relationships among beings, each with their own weight and volume and texture.
I am producing sounds that people are not used to hearing from the harp.
I've played everything but the harp.
I've played everything but a harp.
My voice in combination with the harp - which, by the way, I use because I've played it my entire life, not to make some statement about the harp - somehow has ... coloured people's interpretations of the music and projected an idea of childlike or fairytale quality or innocence. Which sometimes prevents people from listening to the songs the way I would like them to be listened to.
I think a lot of electronic musicians are drawn to starting with texture because the whole reason we're working with electronics is to try to create new sounds or sounds that cannot be created acoustically. When you're doing that, it's nice to be able to just create a different palette for every single song. I feel like a lot of electronic music sounds like...Each album sounds like a compilation more than it does a band.
When you see the trees swaying to the tune of a gentle breeze... think of it as a dance in your honor.
That sound in tune to you?.. Sounds sharp to me. Sounds like I'm playing sharp all the time. My singing teacher told us you should do that. Maybe I got it from her. She said singers when they grow old have a tendency to go flat. So if you sing sharp as a young person, as you get older and go flat, you'll be in tune. In other words, it's never thought good to be flat. It means you can't get to the tone.
This day is not a sieve, losing time. With each passing minute, each passing year, there's this deepening awareness that I am filling, gaining time. We stand on the brink of eternity.
Fro and to in my dreams to you To the haunting tune of the harp For the price I paid when you died that day I paid that day with my heart Fro and to in my dreams to you With the breaking of my heart Ne'er more again will I sing this song Ne'er more will I hear the harp.
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