A Quote by Jacqueline du Pre
I have the same feeling when I walk in a very beautiful place that I have when I play and it goes right.
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I love the physical thing of being on the earth that bore you. I have the same feeling when I walk in a very beautiful place that I have when I play and it goes right.
I'm grateful to play at Wembley - it is a very historical place - but it is not the same feeling as White Hart Lane.
Love is not a feeling; it's a sensation. Drinking water when you're thirsty is a sensation, not a feeling. Being in nature or swimming in the sea is a sensation, not a feeling. Lying down when you're tired is sensational, not a feeling, although you may say it feels good. Feeling is an emotional interpretation of experience and these sensations don't need interpretation; they are just good or right. Making physical love rightly is a sensation, not a feeling. So is the love of God. The same goes for joy and beauty; both are sensational.'
I was living in Paris, which is a very beautiful, very wonderful place, but a tight place as a city, a tight place culturally. Its people are very brilliant, thoughtful, the place functions, but it's a historical place in some ways, like a big museum.
The big thing is, everybody says it's being in the right place at the right time. But it's more than that, it's being in the right place all the time. Because if I make 20 runs to the near post and each time I lose my defender, and 19 times the ball goes over my head or behind me - then one time I'm three yards out, the ball comes to the right place and I tap it in - then people say, right place, right time. And I was there *all* the time.
The Italian comes to his table with the same open heart with which a child falls into his mother's arms, with the same easy feeling of being in the right place.
It was something very beautiful because we all had that interest. We were very close to all of the different groups of the time - the ones that we began to play with in the same venues - Maldita Vecindad, Caifanes, Botellita de Jerez. However, we were all very different, and each group had their unique way of expressing themselves; their own original voice. It was a very beautiful era of Mexican music, and the truth is that we are very fortunate to have been part of it.
Then I went to bed and cried into my pillow. I wasn't sad, not at all. It was just so beautiful to have an intense feeling and the right words at the same time. What are we but our stories?
I was very lucky to be in the right place at the right time and play with Michael Jordan.
Game Over is a very frustrating game convention. In short, it means, 'If you were not good enough or did not play the game the way the designer intended you to play, you should play again until you do it right.' What kind of story could a writer tell where the characters could play the same scene ten times until the outcome is right?
I grew up in a very small town in Scotland, a little place called Crieff which is beautiful and it's at the foothills to the highlands. It's a very beautiful part of the world. It's a small, I suppose quite conservative place.
Hopefully, everyone has the same feeling I do when they perform. I get such a thrill from getting to play make believe. My favorite place to be is trying to be somebody else.
How do you walk from one place to another? What makes you want to walk someplace? Any place that you want to get out of your car and walk is a good place by definition.
There are things that are not spoken about in polite society. Very quickly in most conversations you'll reach a moment where someone goes, 'Oh, that's a bit heavy,' or 'Eew, disgusting.' And literature is a place where that stuff goes; where people whisper to each other across books, the writer to the reader. I think that stops you feeling lonely – in the deeper sense, lonely.
I need to be in a stable environment right now in my career. What I mean by that is a place where I can play and not have too much pressure on me and a place I can develop. Monaco wanted me and did whatever they could to get me so I feel very very good about that.
[When you write a play] you walk into a forest without a knife, without a compass. But . . . if you have a sense of geography, you find that you're clearing a path and getting to the right place.
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