A Quote by Jacqueline Fernandez
When it's the same team that's created magic at the box office in the past, you know you are in safe hands.
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I didn't know box office was a thing you could possess but I don't have it. I go up for lovely roles and people with this nebulous thing called box office get them so there isn't much I can do about that unless you know where I can get some box-office myself!
At times I do feel that there is some issue with child actors because in all my films my performance has been appreciated but the films have not created magic at the box office.
All writers believe in the magic of books; Jim Hines has created a system where that magic becomes real, usable, and very definitely not always safe.
The effort always remains that my new film outdoes my last in terms of performance and gets better box office success. Box office is the sole reason why I do films.
You don't leave behind box office scores or how many dollars changed hands.
The trouble in corporate America is that too many people with too much power live in a box (their home), then travel the same road every day to another box (their office).
I don't think much about how my past films have performed at the box office.
I hate how box-office failures are blamed on an actress, yet I don't see a box-office failure blamed on men.
The entire team of 'Race 3' is really happy because the film is doing good business at the box office.
Box office success has never meant anything. I couldn't get a film made if I paid for it myself. So I'm not 'box office' and never have been, and that's never entered into my kind of mind set.
My issue in the past with nudity was that these scenes had been written solely for box office draw.
The team doctor, the team trainers, they work for the team. And I love 'em, you know. They're some good people, you know. They want to see you do good. But at the same time, they work for the team, you know. They're trying to do whatever they can to get you back on the field and make your team look good.
When I was six years old, I fell in love with magic. For Christmas, I got a magic box and a very old book on card manipulation. Somehow, I was more interested in pure manipulation than in all the silly little tricks in the box.
There's only one barometer for the commercial success of a film and that's the box office. The obsession with box office doesn't annoy me. It's the main part of the business, if you get irritated with the main part then you're in trouble.
I was feeling safe. Not the kind of safe where you know there are still bad things howling outside the door waiting to get in. No, it was the kind of safe where you sink down in your bed at the end of the day and know you can go to sleep and everything is going to be the same tomorrow.
People can criticise all day long, I think I've proven myself, I think I deliver. And I agree, box office does not mean a movie's good, but I feel like I'm making good movies and I'm delivering in box office.
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