A Quote by Jacqueline Fernandez
Karan Malhotra is an amazing director, but he's strict.
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My instinct about a human being is paramount. For me, when a director has walked into my room or an assistant that I have hired, who has later gone on to become a director, is purely based on human instinct, be it Ayan Mukerji, Karan Malhotra, Punit Malhotra or Tarun Mansukhani. I am very susceptible to human energy and energy of spaces.
Karan Johar is absolutely an amazing director. I dream to work with Karan.
I love that first-time feeling that I can't build in myself anymore, where I can learn and emulate other filmmakers. Be it Ayan Mukherjee, Punit Mahotra, Karan Malhotra, Tarun Mansukhani or Shakun Batra, all of them have taught me something or the other.
I want to work with Sriram Raghavan, Imtiaz Ali, Karan Johar, and, of course, any other director who is offering a great role to play in a film.
It's an honour for the entire 'Baahubali' team to be associated with Karan Johar, since he is the biggest name in the country as a producer and director with his brand Dharma Productions.
Jason Reitman is an amazing director; he's really amazing with his actors and crew.
Mark Ruffalo is just an amazing guy and an amazing director.
Karan Thapar is an endangered species. They don't make them like him anymore. True, thousands have gone to the Doon Valley School after him, as indeed to Oxford and Cambridge universities. But Karan Thapar is more than the sum of his upbringing. He's a gentleman journalist.
Bradley Cooper was amazing as a director. Like you hope the director is nice, you hope they are cool, and he was at the top of the list.
I'm a huge fan of the director, Alejandro González Iñárritu, and his work, and I knew he was going to be an amazing actor's director, based on the performances that I saw in his movies.
I like to adapt to a director's way of working. I love doing that. Each director is so different, and you have to adapt to this new way of doing something. That's what's amazing to me. That's why I love directors. I don't want to director to have to work around me. I think it's more fun for me to come in on their thing.
You can have an amazing director and terrible script, and the film's not going to be great. But if you have the most incredible script and an okay director, you could still get a really good film.
I think Paul Weitz is a really amazing director, obviously with tons of acclaim and stuff, but I still think he is underrated. And I think he's amazing to work with, so I was super lucky.
However happy the director is, I have to be okay with it. I'm pretty strict with myself, about throwing things out or trying to be true to whatever the situation dictates.
I have such amazing memories [about The Hotel New Hampshire movie], because Tony Richardson was such an amazing director, and the subject matter was so bizarre, and yet it was the most sought-after part at that moment. And then it had the good fortune to come out on the same day as Splash.
I hope that in another way we can move the need to say, instead of being a Black director, or a woman director, or a French director that I'm just a director.
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