A Quote by Jacqueline Leo
Critics are not creators. They rarely write great novels, invent new technologies, or come up with a great business idea.
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A great idea can't succeed without a great operator. But rarely can a great operator squeak by with a bad idea. So, as pithy as it sounds to say 'It's all about the people,' I only invest when I think I have found the right team for the right business.
The great creators - the thinkers, the artists, the scientists, the inventors - stood alone against the men of their time. Every great new thought was opposed. Every great new invention was denounced. The first motor was considered foolish. The airplane was considered impossible... But the men of unborrowed vision went ahead. They fought, they suffered and they paid. But they won.
If you just go out and try to make money by starting a business, you're going to come up with something that's just like what everyone else has done. But if you look at the world and see opportunities that can be taken more seriously, then you come up with a great idea.
Ric Flair is a wonderful person, and he was such a great in-ring performer. He had a great deal to do with the direction of the business. There are great characters that have come into this business, but Flair can't be duplicated.
The great thing about 'Justified' is that the writers will craft a scene, but if the actors come up with a great idea, they're 100% for it.
One day, I can come up with 50 content ideas, and I'm like, 'Boom, I want to do this idea, this idea, this idea.' I have a YouTube notebook, and I write them all down. Then other days, I'm like, 'I have no clue what I want to do today.' I rarely have days like that.
Young people today have lots of experience ... interacting with new technologies, but a lot less so of creating [or] expressing themselves with new technologies. It's almost as if they can read but not write.
Why do I like to write short stories? Well, I certainly didn't intend to. I was going to write a novel. And still! I still come up with ideas for novels. And I even start novels. But something happens to them. They break up. I look at what I really want to do with the material, and it never turns out to be a novel.
We are living in an era of such interesting new forms, and certainly narrative non-fiction has emerged as a major form. People who are great writers don't have to write novels anymore.
We had a great producing staff and great filmmakers, but for me, my mission , as a producer, was to make sure that the creators were happy with the film Death Note and that their voices were heard. I felt, if the creators were proud and happy with the film, then in turn, the fans would be proud and happy with the film because the creators know the fan base, inside and out.
I had wanted to write English crime novels based on the American hard-boiled style, and for the first two novels about Brixton, the critics didn't actually know I was Irish.
The judges of England have rarely been original thinkers or great jurists. Many have been craftsmen rather than creators.
I believe in nurturing creativity and offering a haven for creators, enabling them to develop their ideas to the fullest. With more and more talented creators being drawn to Cirque in an environment that fulfills them, these are ideal to continue developing great new shows.
Everybody thinks that when new technologies come along that they're transparent and you can just do your job well on it. But technologies always import a whole new set of values with them.
The idea is not enough. And the most annoying thing for me as a writer is that people will come up to me and say, 'Hey, I've got a great idea for a book. I'm not a writer, but I've got a great story.'
It's the disease of thinking that a having a great idea is really 90% of the work. And if you just tell people, 'here's this great idea,' then of course they can go off and make it happen. The problem with that is that there's a tremendous amount of craftsmanship between a having a great idea and having a great product.
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