A Quote by Jacqueline Winspear

I think that one of the things that we all ask ourselves, whoever we are, is: who stands to make a lot of money out of this [wars]? And, certainly, it comes back to people like armaments makers, and so on and so forth.
I have to go around and ask people for money, of course, quite a lot. And it's quite an art to ask people for money. But I think that I have to ask them for money for the things that I'm interested in, and of course, money breeds money.
I think we're going to be very embarrassed in a few years when we see a lot more women film-makers. People will look back and ask, 'How did it take so long for you to figure this out?'
Armaments do not, generally speaking, cause wars. This notion, the logical crux of all arguments in favor of disarmament, turns the causal relationship upside down. Actually, it is wars, or conflicts threatening war, that cause armaments, not the reverse.
I prefer people to disagree with me because I really don't think I'm smart enough to know what all the answers are and I think the back and forth ... we have a lot of it in our office, strong personalities, big intellects, good ideas - I think that back and forth has produced better strategies and tactics for us than if I sat in my office and decided we're doing those 10 things and that's the end of it.
I know a lot of bands that will make their first record and get to a certain level, and then when the second record comes out, they can start where they left off as a headlining act playing in front of a certain number of people, or they can go back out and make a lot less money and open for people. I feel like if you go out and just go right back into that headlining stuff, you're playing to the converted.
I've had no money, I've had a lot of money, I've lost a lot of money. I've been back and forth with everything. That's why other people's input doesn't really matter to me, because nobody's put me where I'm at.
It's kinda crazy to say, but the way Jay [Duplass] and I stay afloat, because we don't make particularly commercial fare that makes a lot of money, is that we make things cheaply and we make things small. We would kind of be afraid to go make a $100 million movie because you have to do certain things to it to have it make its money back.
Don't forget, a lot of people want that to happen because they make a lot of money by taking money out of this country. Those deals [like NAFTA] are very good for a lot of people.
People, and not only Americans, are losing their sons, husbands, brothers, and fathers for no other reason than the profits of US armaments corporations, and the gullible American people seem proud of it. Those ribbon decals on their cars, SUVs and monster trucks proclaim their naive loyalty to the armaments industries and to the whores in Washington who promote wars.
What Wall Street is, they're market makers. Wall Street's business model is making money on velocity of money. They're a click industry. That's what Wall Street is. They make a lot of money when there's a lot of turnover. And they make a lot of money when that velocity is fast.
Our business is not based on having information about you. You’re not our product. Our product are these, and this watch, and Macs and so forth. And so we run a very different company. I think everyone has to ask, how do companies make their money? Follow the money. And if they’re making money mainly by collecting gobs of personal data, I think you have a right to be worried.
I think that people who make a lot of money - and I do - should certainly give a considerable amount of it away.
Sometimes I do that quite a lot, go back and forth a lot between ideas. Try things out.
I think if you were to ask me when I was much younger what my definition of the good life was, I think it would have sounded a lot like what most people would say - a life with all the things you want and everything you think you need to make you happy, and these sorts of things.
I see that things are getting made a lot faster for less money and there are a lot less opportunity, I think, for actors. There's not a lot of work in the U.K. I mean, that's why everyone's moving to America because that's where the work seems to be. But it definitely feels like a lot more of a slog to get a gig these days. I suppose that's a lot to do with our current climate and financial messes. I certainly see that people seem to have to work harder with a lot less time.
I talked to people that I'd done theater with, older actors and stuff. There's a lot of people who go into the business, and they must think they're good, or they wouldn't be in it. Why do you think that you're good enough to go into the business and make money at it? So I really wanted to ask myself that question a lot. Because it was an important kind of thing that I was going to do. I really wanted to do it, I loved it, and I thought that I was good enough that I could make money at it. And that's really what it came down to.
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