A Quote by Jacqueline Woodson
Seems like every time life starts straightening itself out, something's gotta go and happen.
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Every time I go out and do something, Hans panics and starts trying to beat me. He's like a dog humping your leg.
What is a scene? a) A scene starts and ends in one place at one time (the Aristotelian unities of time and place-this stuff goes waaaayyyy back). b) A scene starts in one place emotionally and ends in another place emotionally. Starts angry, ends embarrassed. Starts lovestruck, ends disgusted. c) Something happens in a scene, whereby the character cannot go back to the way things were before. Make sure to finish a scene before you go on to the next. Make something happen.
My social life goes in bursts, where I get like, "Oh, I gotta get out and do something, man, I gotta do something." And I'll plan a trip and go on a motorcycle trip down the Baja Peninsula for 900 miles and I'll hang out with my friends for like a month, and then they'll never see me for two months or three months or whatever, and I won't answer any calls.
Like: 'Don't walk out there with one hand in your pocket unless there's somethin' in there you're going to bring out.' You gotta commit. You've gotta go out there and improvise and you've gotta be completely unafraid to die. You've got to be able to take a chance to die. And you have to die lots. You have to die all the time.
True perfection seems imperfect,
yet it is perfectly itself.
True fullness seems empty,
yet it is fully present.
True straightness seems crooked.
True wisdom seems foolish.
True art seems artless.
The Master allows things to happen.
She shapes events as they come.
She steps out of the way
and lets the Tao speak for itself.
We really can't go out and party every night like a lot of bands do - we have to keep our voices right for the show. It's a bummer, but you gotta do what you gotta do to live the dream.
It seems that every time mankind is given a lot of energy, we go out and wreck something with it.
In chess, you gotta come up with a strategy. I made a lot of plans in my life. 'I'ma do this, I'ma do that, this is gonna happen, that's gonna happen.' And a lot of stuff don't go as planned. You really gotta act on events as they unfold. That's how I compare chess to life.
When I'm really plugged in I find it difficult to write. It's like digging a well. If you make a void, something moves in to fill it. Writing books is like that. It's mostly about freeing up time, doing nothing, and in that time some writing starts to happen. We need to figure out how to maintain those voids.
Every time I try to plan something or assume that something's going to happen, it never works out like that.
I don't like things to be handed to me on a plate; that means nothing. I like to go through layers of unraveling and every time I listen to something, it makes me feel something different. Now I'm aware of the conflict that's going on, but at the time I just let what was happening happen.
There's so much to learn in writing and in life, and in any particular era in one's life, it seems like a few concerns have to be dealt with at once or else something really bad could happen. Writing seems like the place to deal with those concerns.
But then when you are on the training pitch and you give a pass away or something it affects you more and your head starts to go. It doesn't happen a lot but it does happen.
When anyone starts out to do something creative - especially if it seems a little unusual - they seek approval, often from those least inclined to give it. But a creative life cannot be sustained by approval, any more than it can be destroyed by criticism - you learn this as you go on.
In life, you gotta do something. And the medical journals keep on saying if you've got a goal or some passion in life, you'll outlive all the other guys who - the bank manager that retired. They gave him a rocking chair and he rocked himself to death. So you gotta have a passion, whatever it happens to be. Whether it's this or something else, it doesn't matter, as long as it's a reason to get out of bed every morning, as my accountant of 50 years keeps on saying.
I think everybody starts out by seeing a few works of art and wanting to do something like them. You want to understand what you see, what is there, and you try to make a picture out of it. Later you realize that you can't represent reality at all - that what you make represents nothing but itself, and therefore is itself reality.
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