A Quote by Jacqueline Woodson
I think writers are the history keepers, right? We're the ones who are bearing witness to what's going on in the world. And I feel like it's our job to put that down on paper, and put it out into the world, so that it can be remembered.
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I think when you sign a recording deal, you think, 'I'm going to put out a song and have a hit right away. I'll be a giant superstar. I can take over the world now.' But I put out a song, and it did OK. It wasn't like leaps and bounds.
I went through a couple of years there just mad at the world. I put my faith in the world and the world let me down. And I should have known that. The world's always going to let you down. Put your faith in God.
Individuals bearing witness do not change history; only movements that understand their social world can do that. Movements encourage solidarity; the moral individual is likely, all unwittingly, to do the opposite, for bearing witness is lonely: it breeds feelings of superiority and moralistic anger against those who are not doing the same.
Keepers of books, keepers of print and paper on the shelves, librarians are keepers also of the records of the human spiritthe records of men's watch upon the world and on themselves.
It makes you feel really comfortable when someone is like, I'm not going to touch what you're doing. Do what you do and I'll put it out, but as opposed to sticking it out in Dublin and in one shop in London, it's going to go all over the world and you'll have the backing of a PR team and whatever else you need. It was like, cool, that sounds like the right move.
For me, it's more about being there, bearing witness to history, bearing witness to what's happening, what our country, the position our country is taking overseas. I want policy-makers to see the fruits of their decisions, basically, and to try and influence foreign policy.
I find that with any good run on a show with good writers, they put something on paper, and you put something back on film, and that affects what they put on the paper the next time.
I don't think that three minutes of music on a commercial record is going to bring paradise, but I feel like there is power in music and power in our words and power in what we put out into the world.
The world is going to be less biologically rich for quite some time in the future. We are always weeping that we live in such a diminished world, but we are experiencing a biologically rich world compared to what the future will look like. Bearing witness to that is a beautiful gift.
As writers we live life twice, like a cow that eats its food once and then regurgitates it to chew and digest it again. We have a second chance at biting into our experience and examining it. ...This is our life and it's not going to last forever. There isn't time to talk about someday writing that short story or poem or novel. Slow down now, touch what is around you, and out of care and compassion for each moment and detail, put pen to paper and begin to write.
I truly believe that when the history books are written, our age will be remembered for three things: the war on terror, the digital revolution, and what we did - or did not do - to put the fire out in Africa. History, like God, is watching what we do.
I don't want to let ourselves down, so we put extra time, extra effort into every single thing we put out. I think that's why it takes a bit of time for us, but we really want to perfect the quality of the stuff we put out, so we can be represented to the world as a K-pop group.
It felt like being in the center of the world, and I felt like I was a witness to history and I knew that the whole world was watching on television. So, I could feel the collective consciousness of the world focused on this little strip of land called Seattle.
I have had moments where I've felt like, 'I'm going to feel a little guilty if I don't put the baby down for her nap today, but I really need to go to that spin class. And that's good for my health and my mental well-being, so I think the nanny can put her down for her nap, and I'm going to be OK with that.'
Every artist seems to me to have the job of bearing witness to the world we live in. To some extent I think of all of us as artists, because we have voices and we are each of us unique.
People don't want to pay for pitches. They want to see it. If you hear one more time, "Well, that's execution-dependent." Everything's execution-dependent! If there's something that's going to be a little bit more interesting than The Untitled Slinky Movie, then I think that writers that want to do interesting work and at the same time commercial work need to put it down on paper. So agents and producers that writers are working with are encouraging them to get it on paper because the studios like to see what they're buying rather than just imagine what it could be.
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