A Quote by Jacqueline Woodson

I've learned a lot as a writer about poetry. — © Jacqueline Woodson
I've learned a lot as a writer about poetry.
The poet exposes himself to the risk. All that has been said about poetry, all that he has learned about poetry, is only a partial assurance.
When I first wanted to be a writer, I learned to write prose by reading poetry.
So I really began as a failed poet - although when I first wanted to be a writer, I learned to write prose by reading poetry.
There is one relationship I was in that I learned a lot from. I learned a lot from the situation about myself and about relationships and about love, about how to relate to people, about forgiveness and the stuff that comes with being in a relationship.
I've learned a lot about language from reading slush. You can immediately tell if a writer is in control of the narrative. This writer will avoid using too many words like "possibly," "probably," "maybe," "perhaps," etc. He/she will avoid using clichés, as well as a lot of metaphors, and won't take four sentences to say what they could in one (or write a great sentence and follow it up with a bunch of stuff that just weakens it).
When I came into consciousness as a writer when I was in my early 20s, I just assumed that a writer did - a poet writer did everything all at once. I would write poetry, and while writing poetry I would also write work in the world - if I could get into the world.
I went to school for about 2 years on a technical course, and I learned a lot. I learned about air mixture ratios and all the stuff; I learned how to draw blood.
I wanted to be a writer for a while. I was an excellent child writer. I won multiple poetry contests. I was published at age three - I think that was more about novelty than my immense talent.
I'm educating myself more about world poetry. I know a lot about contemporary American poetry, so I felt I needed to learn more about figures like Borges, Akhmatova, Neruda, etc. I felt I needed a bigger lens to see poetry through. It really helps to see poetry as a world language, and not just something American.
The devoted golfer is an anguished soul who has learned a lot about putting, just as an avalanche victim has learned a lot about snow.
The devoted golfer is an anguished soul who has learned a lot about putting just as an avalanche victim has learned a lot about snow.
I don't think I changed a lot although I learned a lot. Adversity can be a wonderful teacher. Some people can't handle the pressure of it. For me it was a great thing. I learned about myself going through tough times. I guess I learned well.
I never thought about being a writer as I grew up. A writer wasn't something I wanted to be. An outfielder was something to be. Most of what I know about style I learned from Roberto Clemente.
I also learned to tell a story. I think I learned from poetry how to time a story. Poetry's timing, beats and pauses. That white space on the page is as important as the black. The bottom of the page is blackout. It's performance.
I found poetry at 12 and 13 and, lo and behold, learned that my attorney father had a background in poetry - as he wore dashikis and Afros in the '70s and named his kids Arabic names. He was a poet and a lot like The Last Poets and Gil Scott-Heron and all of these folks. He definitely was an artist.
I read a lot of poetry. All types of poetry, but mostly Catalan poetry, because I believe poetry is the essence of language. Reading the classics, be they medieval or contemporary, gives me a stylistic energy that I'm very interested in.
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