A Quote by Jacqueline Woodson
To me, elegy suggests that there is hope, and in some respects you've moved past the loss and are able to deal with it and to write about it.
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In many respects most of the books I write deal with well-known people. I think of those books as more about me than about those people.
Long before I ever got incarcerated, I should've been able to access services that help me deal with the grief and the loss of my son, that help me deal with the trauma, the abuse that I experienced as a child.
Whenever I've been stuck on a project, it's always brought me solace to the return to books that moved me in the past. It's a nice way to get outside my own head; and it brings me back to one of the most important reasons I write at all: to bring some pleasure to readers, to make them think or feel.
I came to the realization that I had failed in some respects because I had been more of a benevolent narrator than the world I saw reflected around me, and in the lives of the people in my community, and in my family. There was no benevolent God sparing us pain and loss and grief and struggle. If I was going to continue to write about the place where I am from, and the kind of people who live in my community and who are in my family, I owed it to them to be honest with what our lives are like.
Over the past few years, the road to confrontation has shown its consequences: loss of innocent lives, destruction and fear. Most costly, however, was the loss of hope. The most precious gift that you can present to your peoples over the coming weeks is renewed hope born out of tangible progress on the ground.
Hope is in some respects a thing more brilliant, more vivifying, than fruition. What we have looked forward to with eager and earnest aspiration is never in all respects equal to the picture we had formed of it. The very uncertainty enhances the enjoyment.
There are many kinds of loss embedded in a loss - the loss of the person, and the loss of the self you got to be with that person. And the seeming loss of the past, which now feels forever out of reach.
I do write about people who are complex and are striving with something and can't quite get past their own stuff, which would be a proxy for myself because that's what the deal is with me.
Someone wanted me to write a profile for ESPN about the commissioner of baseball, and I said, "He's just some suit! Some Republican. No!" I mean if you want me to write about baseball, boxing or football, I'll write about those things because I watch them, I think about them a lot and I like them. But I don't want to write about Barry Bonds.
I think the silences we have on some issues are inductive of the fact that we need to write about them more, but I think there are some issues you have to write in a sensitive way and in a way that respects the reality of the situation. If you can't do that, you should leave them alone.
The elegy does the work of mourning; it allows us to experience mortality. It turns loss into remembrance, and it delivers an inheritance.
Greg Jackson gave me hope after four losses. After my last loss in the Strikeforce grand prix against Kharitonov, I gave him a call and asked him if he thought I should retire. Some of my trainers, some people told me I had lost it. He said, 'Absolutely not. Just come to Albuquerque,' and gave me that hope.
In a recent dream, God revealed to me a door leading us into four new hopes that will prepare us to be like those who were healed and strengthened in hope and able to stand when the lightning bolt hit. We deal with these fissures of hopelessness by stepping into these new hopes. The four new hopes that I saw the Lord giving us in this time are: Hope for the Unseen, Hope Against Hope, Carefree Hope, and Childlike Hope.
When it comes to heartbreaks and disappointments, I often have to be more or less done with them to be able to write about them. Then you might ask why I would write about them at all, but I think I owe it to the Jens of the past.
Sometimes it's nice to be able to reflect on the music itself and then write lyrics that I feel anyone can relate to. It's not my dreaming tree that is dead. The feeling of a loss of hope is universal. There are moments that we've all felt a little bit of it, so I don't think it is something that is too hard to identify with.
I wrote my first sucio story, as I call them, in 1997. This was always my 'cheater's book,' my book about sucios desgraciados. My plan was to write a book about how people deal with love and loss.
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