A Quote by Jacqueline Woodson

The conscious imprinting that happens between, say, 10 and 16 is huge. I think it's so important for me as a writer to stay open to the memories of that period because they were so formative.
I was born in 1952, so obviously the sixties were important. That's when I came of age. It was also a revolutionary period, a complete break with the generation before us in terms of culture, literature, music, and in politics, of course. 1968 was an important year; I was 16, and the world became clear to me, visible, so to say.
To me, that's where memories are very interesting because what happens when we start losing memories? What happens when you can't take your memories with you? Who are we without our memories, without our past?
Love is the biggest eraser there is. Love erases even the deepest imprinting because love goes deeper then anything. If you childhood imprinting was very strong, and you keep saying: "It's their fault. I can't change," you stay stuck.
This grant gave me more than memories; it gave me a crucial experience that is formative to all writers: the ability to perceive that we become writers in exile, where what we write is the only link across distance and time…I became a Maryland writer because the community of Juneau took me in.
I don't really have any childhood memories of my dad, unfortunately, .. I was 10 years old when he passed, so my memories are kind of skewed. I don't have many memories of my childhood, period.
When I was young, I ran to see Astaire and Rogers, Huston, Lubitsch - they were formative for me. I also read 'Flash Gordon' when I was 6, but if I were still reading it when I was 16, I'd have been an imbecile.
For me, I always go back to when I was 10 years old and, I think between the time I was 10 and going to high school, were some of the greatest moments for me, because I had a group of friends that I was inseparable with, who we would make movies with all the time.
I think a lot of us think we've failed when we've put the weight back on, but when this happens. you have to pay attention because you can actually learn something. You didn't fail. You just need to stay conscious and know where you went wrong and try again.
Because I think of novels as collaborative enterprises between the writer and the reader, all of my novels so far have ending with endings that maybe point in more than one direction, and that seems important to me because it seems important to me that after you've invested twenty or thirty hours of your imaginative life into this narrative that you have some stake in how it ends.
But the novels of women were not affected only by the necessarily narrow range of the writer's experience. They showed, at least in the nineteenth century, another characteristic which may be traced to the writer's sex. In Middlemarch and in Jane Eyre we are conscious not merely of the writer's character, as we are conscious of the character of Charles Dickens, but we are conscious of a woman's presence of someone resenting the treatment of her sex and pleading for its rights.
I began writing at the age of 5, but there was a dark period between the ages of 8 and 16 when I didn't write. I started again at 16 and have no idea why, but it was suddenly the only thing I wanted to do.
I began writing at the age of 5, but there was a dark period between the ages of 8 and 16 when I didn't write. I started again at 16. And have no idea why, but it was suddenly the only thing I wanted to do.
One, who studies the ways of power, seeks to end the imprinting process because in imprinting we loser power, we lose attention; we are formatted to do certain things.
I think these last 10 years have seen just a huge shift in the psyche of this country as regards gay people. I think AIDS had a lot to do with it. So many families who really believed they'd 'never met one' were suddenly confronted with their sons becoming ill, and friends of sons. I think that brought a lot of it into the open.
I was a huge fan of 'Blade Runner.' That was a pretty formative film for me growing up. It really got my sci-fi juices flowing, as it were.
The most important things to say are those which often I did not think necessary for me to say - because they were too obvious.
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