A Quote by Jacqueline Woodson
With my writing, I try to do stuff I have not done before. Each time I sit down, I want to have a new experience, and by extension, I want my readers to have a different experience.
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The inspiration for my novels comes from the depths of a creative well, based on asking myself questions over and over. I try to write something different each time I sit down to write; I try to surprise the readers.
I personally feel the need to experience life and new music and ideas before I can sit down and start writing music again.
I want to be able to experience everything. I want to experience being a husband, experience being a father, experience, maybe, hopefully, someday being a grandfather, and all those things. I want that experience. When I die, I want to be exhausted.
Playing in sold out arenas several nights a week is something I have never experience before. I want to experience that. I want to experience that in my first year and build on that.
I don't think that stuff is gone - I just don't want to dwell on it. There's a difference. As I said, I think we all have tendencies as writers, and I think we all have experience that we bring as readers to each project.
Film is a great tool to play with time, going back and forth through time, or speeding time up and slowing it down and do stuff like that. That's something you can't experience in real life that you can experience on film, and it takes you to a different place.
Each time I sit down and write a play I try to dismiss from my mind as much as I possibly can the implications of what I've done before, what I'm going to do, what other people think about my work, the failure or success of the previous play. I'm stuck with a new reality that I've got to create.
When you're writing two books a year, you really need some time off and don't want to use that down time for touring. I do like talking with readers, though; they can tell you important stuff.
The most reward experience is having another writer come up to you and say that they started writing because they read my books. That is how writing as a profession continues: readers becomes writers who inspire new readers.
I don't want people to sit there and objectively watch the film. I want them to experience it as something that's under their skin, so you try to make the films really tactile.
It's not even my job to educate, but what I do is try to facilitate by creating a book that works on different levels. I do want to entertain and bring some joy to the reading experience. If it holds a little kernel of knowledge that readers choose to explore, well, that's great.
What I worry about is working in this serial medium, where people are talking about your stories before they're done, we have this instant feedback loop now. I'm very active on Tumblr and I have a very active engagement with readers and I love it, but I don't want to start writing to try to please someone else. I don't want my meter to get skewed.
What we really need to be open to is diversity itself, especially in a business environment. What you want is a plethora of ideas; you want people with different life experience, people with different work experience, people from different cultures to bring something to the table that you otherwise based on your own coming up, you yourself wouldn't have thought of.
Often as a poet I find that I am somewhat outside an experience I want to hold onto, consciously taking mental notes or writing them down in my journal - for fear that I will forget. It's not unlike being on a trip and taking pictures, your face behind a camera the whole time - the entire experience mediated by a lens.
Each goal, each win, going to different buildings, the rivalries, the excitement - it is something. I try to catch myself, you know, in the warm-ups, when you're on the line and the anthem and you get to some milestones and stuff. It's such a neat experience.
I want to do everything. I just want variety and longevity. I've never filmed a movie before, I want to do that. I want to come back to theater at some point. But I was in New York for like ten years, grinding. I'm ready to be in L.A. for a little while, and really experience film and television.
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