A Quote by Jacquelyn Mitchard
I do a great deal of research. I don’t want anyone to say, ‘That could not have happened.’ It may be fiction, but it has to be true.
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I used to say to my bubbe, 'Bubbe, is this story true?' And she'd say, 'Of course it's true! But it may not have happened.' What my bubbe was saying is profound: All stories are true. The truth is the journey you take through it - did it make you laugh, cry, seek and want justice? Then it's true.
I cannot say how strongly I object to people using other people's writing as research. Research is non-fiction, especially for horror, fantasy, science fiction. Do not take your research from other people's fiction. Just don't.
There's a great deal of stripping away; in early drafts, I may say the same thing two or three times, and each may be appropriate, but I try to pick the best and improve it. I work on sound a great deal, and I will change a word or two, revise punctuation and line breaks, looking for the sound I want.
I think probably anyone would say, the worst and the hardest things to deal with is when people say things that aren't true. Or that are kind of true but exaggerated.
Science fiction writers aren't in the prediction business; they're in the speculation business, using 'hasn't happened' or 'hasn't happened yet' to create entertaining scenarios that may or may not anticipate future realities.
They say funerals are not for the dead but for the living. Those rites are what permit you to move on, so if you don't deal with the remains, you can never deal with the memories. That might be true; we may have walked in their dust down on Venice Minor, but it's not the same as a proper good-bye.
I don't think there's such a thing as autobiographical fiction. If I say it happened, it happened, even if only in my mind.
I could write historical fiction, or science fiction, or a mystery but since I find it fascinating to research the clues of some little know period and develop a story based on that, I will probably continue to do it.
I have to do more close research and fact checking for the science fiction. This is not however to say that writing good fantasy does not involve doing good research.
As strange as this may sound, I very seldom read fiction. Because my novels require so much research, almost everything I read is non - fiction - histories, biographies, translations of ancient texts.
Mr. Lyell's system of geology is just half the truth, and no more. He affirms a great deal that is true, and he denies a great deal which is equally true; which is the general characteristic of all systems not embracing the whole truth.
I was in my senior year of high school when I read 'Notes From Underground' by Dostoyevsky, and it was an exhilarating discovery. I hadn't known up until that moment that fiction could be like that. Fiction could say these things, could be unseemly, could be unsettling and distressing in that particular way, that immediate and urgent way.
I want to invest in research. Research is great. Providing funding to universities and think tanks is great. But investing in companies? Absolutely not.
I have a lot of blurring between fiction and non-fiction in so many of my works. For example, my first novel, 'When Nietzsche Wept,' has a great deal of non-fiction in it. I didn't create many characters at all. Almost all of them are historical characters that actually existed.
The truth may be puzzling. It may take some work to grapple with. It may be counterintuitive. It may contradict deeply held prejudices. It may not be consonant with what we desperately want to be true. But our preferences do not determine what's true.
Although it may be true that the notion of teaching virtues such as honesty or integrity arouses little controversy, it is also true that vague consensus on the goodness of these virtues conceals a great deal of actual disagreement over their definitions.
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