A Quote by Jacques Barzun
Maxims in times of danger are useless, experience is incommunicable. The knotted strands of life, desire, assumptions, and moral codes cannot be unsnarled; they can only be cut, which is what happens when an air raid occurs, with a silencing fortissimo like the finale of a Beethoven symphony.
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Originality is dangerous. It challenges, questions, overturns assumptions, unsettles moral codes.
You have to find your own shtick. A Picasso always looks like Picasso painted it. Hemingway always sounds like Hemingway. A Beethoven symphony always sounds like a Beethoven symphony. Part of being a master is learning how to sing in nobody else's voice but your own.
Menders of all times and places have taught that silencing the thoughts in our heads and opening to the experience of the body and emotions is the basis of all healing. It's the only means by which we can reclaim our true nature or feel the subtle cues telling us how to find our way through life.
A Beethoven symphony should be rehearsed like chamber music, only for a lot more people.
In South America, I heard the 8th Symphony of Beethoven. And the young conductor thought, Beethoven must be heroic. But this is piece which shouldn't be heroic. And this was such a misunderstanding, such a deep misunderstanding.
Human life occurs only once, and the reason we cannot determine which of our decisions are good and which bad is that in a given situation we can make only one decision; we are not granted a second, third, or fourth life in which to compare various decisions.
Life a life of Spiritual Adventure. Much like a wild goose the Spirit of God cannot be tracked or tamed. An element of danger, an air of unpredictability surround Him. And while the name may sound a little sacrilegious, I cannot think of a better description of what it's like to pursue the Spirit's leading through life.
Moral Injury is differentiated from PTSD in that it directly relates to guilt and shame veterans experience as a result of committing actions that go against their moral codes. Therapists who study and treat moral injury have found that no amount of medication can relieve the pain of trying to live with these moral burdens.
Brahms stayed an extra day to hear my [Fifth] Symphony and was very kind ... I like his honesty and open-mindedness. Neither he nor the players liked the finale, which I also think rather horrible.
Harmony is a symphony, and symphony is an agreement; but an agreement of disagreements while they disagree there cannot be; you cannot harmonize that which disagrees.
The moral of human life is never simple, and the moral of a story which aims only at being true to human life cannot be expected to be any more so.
I feel like if you enjoyed the 119 hours that precede the finale of 'Lost,' is that whole experience ruined by the fact that you might not agree with everything that we did in the finale? I would hope not! I would hope that you would appreciate the fact that you were entertained for 119 hours even if you didn't love the finale.
You can chase a Beethoven symphony all your life and never catch up.
Fate is a misplaced retreat. Many people rationalize an unexplained event as fate and shrug their shoulders when it occurs. But that is not what fate is. The world operates as a series of circles that are invisible, for they extend to the upper air. Fate is where these circles cut to earth. Since we cannot see them, do not know their content, and have no sense of their width, it is impossible to predict when these cuts will slice into our reality. When this happens, we call it fate. Fate is not a chance event but one that is inevitable, we are simply blind to its nature and time.
You can gain experience, if you are careful to avoid empty redundancy. Do not fall into the error of the artisan who boasts of twenty years experience in craft while in fact he has had only one year of experience–twenty times. And never resent the advantage of experience your elders have. Recall that they have paid for this experience in the coin of life, and have emptied a purse that cannot be refilled.
The point of recapitulation in the first movement of Beethoven's Ninth Symphony unleashes one of the most horrifyingly violent episodes in the history of music....The point is not to hold up Beethoven as exceptionally monstrous. The Ninth Symphony is probably our most compelling articulation in music of the contradictory impulses that have organized patriarchal culture since the Enlightenment. Moreover, within the parameters of his own musical compositions, he may be heard as enacting a critique of narrative obligations that is...devestating.
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