A Quote by Jacques d'Amboise
I didn't know if I could act, but I knew I could be a great ballet dancer, and Balanchine put out the carpet for me.
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I set as my goal to be the best dancer I could be. Not the most famous, or the highest paid dancer, just the best I could be. Out of this discipline came great freedom and calm.
I wanted to be a ballet dancer. I was bad - I'm not very coordinated. But I always wished I could have been a dancer.
I knew I wanted to be a ballet dancer, but what kind, I wasn't sure. My two dream companies had been New York City Ballet and American Ballet Theater.
When I was 3 years old, my parents put me in ballet and I really thought I was gonna be a ballet dancer for a long time.
I trained as a ballet dancer till I was 18, so I would really like to get back to it. I'd love it if there was a part that meant I could do both acting and ballet, as they're both so close to my heart.
I actually was a ballet dancer - I studied ballet from three until 13 - but like very seriously, that's what I wanted to do. I wanted to be a contemporary ballet dancer. I wanted to go to Juilliard.
I've never danced professionally as a ballet dancer, but all of my training is ballet, and I am a Fosse dancer.
My dad was in the movie 'Moonwalker,' and I knew he could sing really well, but I didn't know he could act. I saw that, and I said, 'Wow, I want to be just like him.'
I originally wanted to be a ballet dancer and trained for years, but when I was around 18, I realized I wasn't going to be as good a ballet dancer as I'd hoped I'd be and decided to become an actress instead.
When I had finished the book I knew that no matter what Scott did, nor how he behaved, I must know it was like a sickness and be of any help I could to him and try to be a good friend. He had many good, good friends, more than anyone I knew. But I enlisted as one more, whether I could be of any use to him or not. If he could write a book as fine as The Great Gatsby I was sure that he could write an even better one. I did not know Zelda yet, and so I did not know the terrible odds that were against him. But we were to find them out soon enough.
Imaginary testing is unreliable, and in many cases, it's a huge waste of time and energy. In truth you just don't know what will happen until you try. You may start a business, and it could take off in ways no one could predict. Or it could be a complete failure. You could ask for a date and end up with the partner of your dreams. Or you could be rejected cold. It's great to visualize what you want, but you never really know what's going to happen until you act.
Mr. Balanchine wanted me to be myself. He didn't want me to look like anyone else. I love teaching our company dancers the Balanchine ballets. I try to give them what was passed down to me and what I learned from him. They dance it so beautifully. It also keeps me close to Mr. Balanchine. He's with me every single day.
You realize you can get good at something, even though ballet almost felt like you could never be good enough. No matter how hard you worked, it was so hard to be a great dancer.
I always knew I was a bit different from my friends, had too much energy, and suddenly I could get it all out with ballet.
I don’t think anyone knew I could act until I put on a bathing suit.
When you train as a dancer, you understand you have to work exceptionally hard. I think dancers are the hardest - working people in show business. You have to push your body beyond where you thought it could go. It's athleticism. Perfection doesn't exist, but with classical ballet, there is an ideal, and I got obsessed with that ideal. In some ways, it was problematic because I don't have an ideal ballet body, but the discipline is what I carry with me to this day. That's my park, the discipline of dancing.
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