A Quote by Jacques Derrida

I have always had trouble recognizing myself in the features of the intellectual playing his political role according to the screenplay that you are familiar with and whose heritage deserves to be questioned.
I was incredibly intimidated playing Lincoln Lee in the alternate universe, which was the first role I played on 'Fringe' because I was actually the head of a Fringe division and the head of a unit that was going out and I had to lead entire SWAT teams of people. I really questioned in myself, 'Can I carry that responsibility?'
I was incredibly intimidated playing Lincoln Lee in the alternate universe, which was the first role I played on 'Fringe' because I was actually the head of a Fringe division and the head of a unit that was going out and I had to lead entire SWAT teams of people. I really questioned in myself, 'Can I carry that responsibility?
Right when I moved to L.A., I started writing. I wrote some screenplay. I'm sure it's terrible. But I wrote a screenplay by myself. When I first moved to L.A., I had no friends. I didn't know anybody. I just sat in a little studio apartment, and I wrote a screenplay.
The work of an intellectual is not to mould the political will of others; it is, through the analyses that he does in his own field, to re-examine evidence and assumptions, to shake up habitual ways of working and thinking, to dissipate conventional familiarities, to re-evaluate rules and institutions and to participate in the formation of a political will (where he has his role as citizen to play).
I kept a lot of my thoughts inside myself. So, perhaps more than is normal, I'm always questioning my role as a writer. I'm always stopping and asking myself: Do I have the right to tell this story? Is it a story that deserves to be heard? And as for whether I think of myself as a Writer with a capital "W," I very much hope I never do.
I would call an intellectual one whose instrument of work - his mind - is also his major source of pleasure; a man whose entertainment is his intelligence.
When I set out to write a screenplay, I have in my mind a beginning and an end but that end part continually changes as I start to write the middle. That way by the time the screenplay is finished I have taken myself and my audience from a familiar beginning point through the story to an unfamiliar ending point.
I've always questioned the way dancers, myself included, must do the same role year in and year out. It's important for me to be able to say to myself, 'O.K., I don't want to be a prince anymore. I want to put on a leather jockstrap and pose.'
Hitler appeared, a man with limited intellectual abilities and unfit for any useful work, bursting with envy and bitterness against all whom circumstance and nature had favored over him....In his desperate ambition for power he discovered that his speeches, confused and pervaded with hate as they were, received wild acclaim by those whose situation and orientation resembled his own. He picked up this human flotsam on the streets and in the taverns and organized them around himself. This is the way he launched his political career.
Whenever something's really hard, you always question yourself, and I had many times when I questioned myself, but I always rose above it.
The intellectual is not defined by professional group and type of occupation. Nor are good upbringing and a good family enough in themselves to produce an intellectual. An intellectual is a person whose interest in and preoccupation with the spiritual side of life are insistent and constant and not forced by external circumstances, even flying in the face of them. An intellectual is a person whose thought is nonimitative.
From the very beginning, I had a lot of female role models in music. I would go to shows, and there were always women fronting bands and playing guitar or backing up and playing drums or bass in a band. That probably contributed to my belief in myself to go out and perform for people.
America deserves a nominee who reveres the law, not one whose service on the bench is conditioned on political promises.
The problem was Mike Tyson always had trouble with bigger men. Even fighters like Bud Green, “Bonecrusher”, he had trouble with them whether he wanted to or not. He would have had great trouble with Lennox Lewis, particularly since he maximized his shortness by crouching, and he couldn't fight inside so the guy would pick him apart like Buster Douglas.
And he could not tell why the struggle was worthwhile, why he had determined to use the utmost himself and his heritage from the personalities he had passed... He stretched out his arms to the crystalline, radiant sky. I know myself," he cried, "But that is all.
I'm always playing a role, whether it's the role of the mayor, the role of a news anchor, or a role of a crazy talk-show host. But there was a specific function. 'On Dancing With The Stars', I had nothing to do but be me, schlepping around the floor. And when I host 'America's Got Talent', that's really me just talking to regular folks.
This site uses cookies to ensure you get the best experience. More info...
Got it!