A Quote by Jacques Derrida
I became the stage for the great argument between Nietzsche and Rousseau. I was the extra ready to take on all the roles.
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As with Hobbes, we see again, the power of fiction. Rousseau's acount of natural man was no more real than Hobbes's, but following the same pattern, once it became the accepted story of human origins, it thereby exercised the power of a self-fulfilling prophecy. In imagining Rousseau to be right, we have become what Rousseau imagined.
On stage, it's like an argument going on between four people. The argument is the art.
I have decided to take on substantial roles. I'm even ready to take on roles which give prominence to glamour; I have absolutely no qualms in doing so.
The only dance masters I could have were Jean-Jacques Rousseau, Walt Whitman and Nietzsche.
If you have a choice between extra makeup or extra weapons always take the weapons. Just the fact that you're debating between those two choices proves that you're going to need the weapons more.
Theater roles are written by the great masters. The greatest literature that you can possibly know are the theater roles like King Lear, Hamlet, and all of those great roles. So all you do is you dive into these unchallenged roles and see how far you can get, what kind of accolades you can get, and how good you can be in them. In movie roles, you can actually improve them by knowing a lot about your own stage technique, which helps a great deal in the cinema and how you can project inner humor even though the particular dialogue is not necessarily funny, but you can infuse it with humor.
Our Nation, a great stage for the acting out of great thoughts, presents the classic confrontation between Locke's views of the state of nature and Rousseau's criticism of them... Nature is raw material, worthless without the mixture of human labor; yet nature is also the highest and most sacred thing. The same people who struggle to save the snail-darter bless the pill, worry about hunting deer and defend abortion. Reverence for nature, mastery of nature- whichever is convenient.
I've seen such great material, and now I'm more picky with the type of jobs that I take because it's gotta be there. There's an old theater saying: 'If it's not on the page, it's not on the stage'... You gotta have some type of standards as far as the jobs that you take and the roles that you take on.
I just love walking around the Upper East Side and seeing those guys who didn't just take an extra 10 minutes in the morning to get ready, but an extra 40 minutes.
The great merit of Stephen Gould's account of the disastrous history of phychometrics is that he shifts the argument from a sterile contest between environmentalists and hereditarians and turns it into an argument between those who are impressed with what our biology stops us doing and those who are impressed with what it allows us to do.
I really enjoyed being one of the fan's favorites.They give me extra boost, they give me extra power. There was no need to warm up my body. When you heard that, you're ready to go in the game, ready to roll.
What [Nietzsche] calls slave morality is to him purely spite-morality; and this spite-morality gave new names to all ideals. Thus impotence, which offers no reprisal, became goodness; craven baseness became humility; submission to him who was feared became obedience; inability to assert one's self became reluctance to assert one's self, became forgiveness, love of one's enemies. Misery became a distinction
In the late 20th century, it became possible to travel between cultures, between the old world and the new, with great ease. So when you go back, you take the changed person with you who, in turn, changes things that otherwise might have stayed the same.
I've worked for more than 50 years on the stage and I have played great, great, great roles, but I haven't played a great Shakespearean role because they're all male. I'm actually very proud of it.
Between 50 overs and 20 overs, there is a big difference, because there is 30 extra overs of fielding and six extra overs to bowl, and that can take its toll.
At one stage of my film career, between 2007 and 2010, I had taken up many projects where I played the role of a police officer. Later, I deliberately took a decision to not do any police roles. Since then I've been growing my hair and beard so that I'm not roped in for any such roles.
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