Being a DJ is so easy. I can put headphones in this pocket, USB sticks in the other and that's it - I'm a DJ. But when I do the live show I'm bringing all this fragile analogue synthesizer equipment and dealing with three-hour sound checks and all that.
Easy way to make someone sound less powerful, just put DJ in front of their name...
..DJ Abraham Lincoln
Traditionally, with a DJ set, you just go hear DJ that has a good reputation and let the DJ take you somewhere. It was up to the DJ what he wanted to play. Typically in dance music, people didn't know most of the songs a DJ played.
When I'm representing my music live I think of it very much in a rock band sense. When I first started doing festivals in the 90s there really weren't other DJs playing the stages I was playing. So I felt I was being afforded an opportunity to kind of make a statement about what DJ music can be live. In the 90s, if you were a DJ you were in the dance tent, and you were playing house music and techno music. There was no such thing as a DJ - a solo DJ - on a stage, after a rock band and before another rock band: that just didn't happen.
Technology makes good DJ's better, but also allows your average person to think they're a DJ, and unfortunately there's no checks and balances about people making it a career.
I DJ all the time, as much as I possibly can. I'll never stop. That's my security blanket, that's what I'm good at. I still consider myself a better DJ than a singer. I can DJ in my sleep.
I'm not a DJ. I play live and think we put on a show. That's it.
I started in '88 to play House music, it was a huge revolution for me. I went to London and I saw a DJ on stage and that was crazy at the time. I was one of the really respected and famous DJs in Paris, but they would never show me. I was hidden. A DJ on stage and people dancing and facing the DJ, looking at him? I was like 'wow!'
I've called all sports. I was a radio DJ, club DJ, talk show host, hockey, basketball, football; you name it, I've done it.
The DJ still has the relationship with the people, I believe. I don't know to call the DJ 'the ambassadors' or what, but we still are connecting the dots, getting the good stuff and passing it on to the people. DJs still have relevance, even with the technology that elevates the DJ beyond being a selector.
You can be a great DJ and still be not very good at DJ Hero. And vice-versa: You can have never spun in your life on real turntables and be fine on DJ Hero.
It's tough when you're an artist because you get to go around the world and make a lot of friends, but guess what? One day, all these people that you love are going to die, from DJ Mehdi to DJ Dusk to J Dilla to Austin Peralta to DJ Rashad.
I DJ very often. I'll probably do it more. I'm not available during the week because of the show but I travel most weekends to DJ. I've been doing it for about six years.
I was MCing in the playground, spitting lyrics over mobile phones - Sony Ericsson, Walkmans, W810s, the Teardrop Nokia phones, all of that. Vital equipment! I never even had a DJ set where a DJ's playing vinyl, and I'm spitting.
I don't want to be classified as an old-skool DJ or new-skool DJ. I want to be classified as an all-skool DJ who plays it all. I also want to learn to DJ house music in my own fashion.
I use the echo effect a lot when I DJ because it allows for smooth transitions, especially at different BPMs. It also adds a studio quality to live DJ performances.
I do really long DJ sets - I play for five or six hours sometimes - but the live shows are a bit more compact. The arch of how to tell a story, where the energy is, where you have peaks and drops, where things go up and things come down, that's all being informed by DJ-ing.