A Quote by Jacques-Henri Lartigue
To talk about photos rather than making them seems idiotic to me. It's as though I went on and on about a woman I adored instead of making love to her.
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Anything that has a relationship with pleasure, we reject it. Eating, they talk about cholesterol; making love, they talk about AIDS; you talk about smoking, they talk about cancer. It's a very sick society that rejects pleasure.
Anything that has a relationship with pleasure we reject it. Eating, they talk about cholesterol; making love, they talk about Aids; you talk about smoking, they talk about cancer. It's a very sick society that rejects pleasure.
We’re not about picking a mayor. We’re about making a mayor, making the winner. And that’s what we’re gonna do…. I talk to them (the mayoral candidates) constantly. All of them. I know all about all of their families. I know about their dogs and this and that.
I'd rather get back to making art than talk about it.
What really interests me, on a deeper level, is how our information is coming to us in some kind of messed up way that is making us idiotic. I don't think we've become more idiotic than we always were, but I think the information transfer is funky. The shorthand of it is that social media is making us mentally insane.
I love artists making cool music, regardless of the style.So, if a country artist making really cool music came along and asked me to work with them, I just might say yes, even though I'm not super-knowledgeable about country, like I am about hip-hop. I might do that because the idea is so interesting.
The thing about writing or making art is that I'm not thinking about that stuff while I'm doing it. Like the driver's ed kid, in retrospect I see that that was meaningful, and I felt close to him in that way, but at the time I just thought it was fun to draw, and that's all it was. I think that's what's weird about life and about making art. You have to talk about it later. I guess I should be prepared to talk about it now. That is why I'm here. But again, pass.
My first program taught me a lot about the errors that I was going to be making in the future, and also about how to find errors. That's sort of the story of my life, making errors and trying to recover from them. I try to get things correct. I probably obsess about not making too many mistakes.
When we talk about chefs, we often talk about their love of food or their passion for it, but cooking is also about making a living; it's a job.
Once we're willing to confront our emotional suffering, we begin making choices based on attraction instead of aversion, love instead of fear. Where we used to think about what was 'safe,' we now become interested in doing what seems right or fun or meaningful or ripe with possibilities.
The problem of making artists talk about their work is that when they're making their work the left-brain is shut off. So if you talk to an artist about it, you're talking to someone who wasn't there. It's hopeless. And also it's insulting. It's implying that the work is not an adequate account of itself. To me, the greatest artists are almost entirely non-verbal.
The problem of making artists talk about their work is that when they're making their work the left-brain is shut off. So if you talk to an artist about it, you're talking to someone who wasn't there. It's hopeless.
In India and elsewhere in the world, the moment a woman speaks out against harassment, people sort of start making all sorts of character judgments about her, about her morality, about what she was wearing, and all such things, and I think that is not fair.
I came in making choices about how I deploy aesthetics and imagery strategically. It seems to me that's the only legitimate way of making work.
Removing the weeds, putting fresh soil about the bean stems, and encouraging this weed which I had sown, making the yellow soil express its summer thought in bean leaves and blossoms rather than in wormwood and piper and millet grass, making the earth say beans instead of grass, - this was my daily work.
I love the theater as much as music, and the whole idea of getting across to an audience and making them laugh, making them cry - just making them feel - is paramount to me.
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