A Quote by Jacques Ibert

I dream of a collaboration that would finally be total, in which the librettist would often think as a composer and the composer as a librettist. — © Jacques Ibert
I dream of a collaboration that would finally be total, in which the librettist would often think as a composer and the composer as a librettist.
Both costume and fashion are about telling a story, except that in a ballet the story has already been written by the composer or the librettist.
Alan Jay Lerner needed a hit. The Broadway lyricist and librettist was a decade removed from his greatest successes when his partnership with composer Frederick Loewe produced something approaching unholy alchemy.
If a composer could state in words what being a composer means, he would no longer need to be a composer.
To make good films, you have to have a good relationship and good collaboration as composer-director, composer-editor, composer-production designer-actor because you're working with the actors on screen.
I think that if I were required to spend the rest of my life on a desert island, and to listen to or play the music of any one composer during all that time, that composer would almost certainly be Bach.
I think that if I were required to spend the rest of my life on a desert island, and to listen to or play the music of any one composer during all that time, that composer would almost certainly be Bach. I really can’t think of any other music which is so all-encompassing, which moves me so deeply and so consistently, and which, to use a rather imprecise word, is valuable beyond all of its skill and brilliance for something more meaningful than that — its humanity.
Originally, I wanted to be a composer. I always tell people, 'I think of myself as a composer.'
Originally, I wanted to be a composer. I always tell people, 'I think of myself as a composer.
When I finally got together with Rostropovich as a student, he was very focused, almost entirely focused on the music itself, on what the composer had in mind and what he knew about the composer. Many of the works that I played for him had in fact been composed and written for him; he was often the first performer of these works, having known the composers personally.
To talk about communication theory without communicating its real mathematical content would be like endlessly telling a man about a wonderful composer, yet never letting him hear an example of the composer's music.
A Librettist is a mere drudge in the world of opera.
Frank [Zappa] said he probably would have been a major criminal, given his brain power and his attention to detail, had he not been a composer. But being a composer is not something you can't help.
I would love to do more superhero work; as a young film composer, that is one of the things you dream of.
I have often read critical pieces where the critic said that what the composer was trying to do didn't come off. I have wondered what the critic meant if he didn't know what the composer was trying to do.
I'm really grateful. But I never had the rock star dream. I thought it would be cool to be a modern-day composer.
Notes are part of life for any composer for hire. There's no way around it. I think anyone who has done even a small number of films as a professional composer gets used to that idea pretty quickly.
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