A Quote by Jacques Mieses
Many an expert says that there is a certain affinity between (Capablanca's style) and that of the world master, Lasker. There may be some truth in it. Lasker's style is clear water, but with a drop of poison which is clouding it. Capablanca's style is perhaps still clearer, but it lacks that drop of poison.
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And the rigidity of the material with which we have to compose, is a more formidable opponent than Lasker or Capablanca. Because these lifeless opponents do not have any moments of human weakness!
A style does not go out of style as long as it adapts itself to its period. When there is an incompatibility between the style and a certain state of mind, it is never the style that triumphs.
'Reach for a (cigarette) instead of a sweet' - ...advertising slogan..(of) Albert Lasker, (with) Mary Lasker, health philanthropist, and originator of the Lasker Awards, an American version of the Nobel Prize. ...and Memorial Sloan Kettering trustees.
A design style is defined by a set of microdecisions. A clear style reflects a consistent set. A clear style may not be a good style; a muddled one never is.
Capablanca possessed an amazing ability to quickly see into a position and intuitively grasp its main features. His style, one of the purest, most crystal-clear in the entire history of chess, astonishes one with his logic.
As with Steinitz, Fischer's genius has often been concealed by controversies away from the board. Like Lasker, Fischer has raised chess to new financial heights despite frequent retreats from serious play. And, like Capablanca, Fischer is recognized by millions of non-players and has won the game many new enthusiasts.
Anti-alcoholics are unfortunates in the grip of water, that terrible poison, so corrosive that out of all substances it has been chosen for washing and scouring, and a drop of water added to a clear liquid like Absinthe, muddles it.
Maybe many directors are trying to create their own style of filmmaking, or to respond to audiences that come expect a certain style from them. But I don't care about that - I don't intend to have a 'Miike' style. I just pour myself into each film, enjoy it, and then what comes out just seems to have a 'Miike' style.
I've changed my style constantly, so I'm not sure I have one defined style, except perhaps style of subject matter.
I've changed my style constantly, so I'm not sure I have one defined style, except perhaps style of subject matter. But you learn as you go, I suppose.
To write well, to have style ... is to paint. The master faculty of style is therefore the visual memory. If a writer does not see what he describes-countrysides and figures, movements and gestures-how could he have a style, that is originality?
I can't figure out how you can draft players for a coach that you know coaches a certain a style, and was successful doing that style, and get him to play a style that you feel comfortable with.
I came up in the U.K., which is a very catch-as-catch-can style, and then I somehow ended up in Japan and spent eight years there learning strong style. I got to spend some time in Mexico learning the lucha libre style, and the WWE is a hybrid style of everything mixed together.
The difference between real material poison and intellectual poison is that most material poison is disgusting to the taste, but intellectual poison, which takes the form of cheap newspapers or bad books, can unfortunately sometimes be attractive.
Be fluid. Treat each project differently. Be water, man. The best style is no style. Because styles can be figured out. And when you have no style they can't figure you out.
Style is just an impression. Style itself is hollow. Style, its ok style as long as it is part of a language. Style for style itself is just something very hollow.
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