A Quote by Jacques Yves Cousteau
Sometimes we are lucky enough to know that our lives have been changed, to discard the old, embrace the new, and run headlong down an immutable course
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This, milord, is my family's axe. We have owned it for almost nine hundred years, see. Of course, sometimes it needed a new blade. And sometimes it has required a new handle, new designs on the metalwork, a little refreshing of the ornamentation . . . but is this not the nine hundred-year-old axe of my family? And because it has changed gently over time, it is still a pretty good axe, y'know. Pretty good.
People always seek to compare. They can take the new, but only if it is somehow connected to the familiar. We need that in our lives, the mix of the new and the old. But of course I'm flattered about the comparison with Old man and the sea. Hemingway is a great writer.
In our twenties, when there is still so much time ahead of us, time that seems ample for a hundred indecisions, for a hundred visions and revisions—we draw a card, and we must decide right then and there whether to keep that card and discard the next, or discard the first card and keep the second. And before we know it, the deck has been played out and the decisions we have just made will shape our lives for decades to come.
I've been lucky enough to live through all the things that are supposed to give meaning to our lives, like parenting, grandparenting, art, celebrity. All these things you expect meaning to come from, and sometimes it comes when you're not expecting it.
I'm someone who lives with the work of artists I've been lucky enough to know or trade with.
I have been lucky because sometimes things go really pear-shaped with a second or a third part, but I have been lucky enough to be in good sequels.
Why do I live in Israel? Because Israel lives in me, as it lives in all Jews. It is who we are. And those of us lucky enough to recognize this truth and embrace it in all its fullness and depth are the luckiest Jews in the world.
This country is facing an economy that has been radically transformed.And these changes have been disruptive. They have changed people's lives. The jobs that once sustained our middle class, they either don't pay enough or they are gone, and we need someone that understands that as our nominee.
I've always thought New Year's Day was an especially American tradition, full of the optimism and hope we're famous for in our daily lives -- an energy and confidence we call the American spirit. Perhaps because we know we control our own destiny, we believe deep down inside that working together we can make each new year better than the old.
If we can embrace the adventure and risk and equip our churches to lay down their lives and abandon their inherent loss-aversion, who knows what innovation, what freshness, what new insights from the Spirit will emerge.
There has been enough suffering in our country, there has been enough of children whose dreams die before they have a chance to grow and there has been enough of our elders who, having served their nation, are forced into indignity in their old age.
We're only passers-by, and all you can do is love what you have in your life. A person has to fight the meanness that sometimes comes with you when you're born, sometimes grows if you aren't in lucky surroundings. It's our challenge to fend it off, leave it behind us choking and gasping for breath in the mud. It's our task to seek out something with truth for us, no matter if there is a hundred-mile obstacle course in the way, or a ramshackle old farmhouse that binds and binds.
The Lord has a way of working in our lives, and sometimes he brings us down low to bring new values back to our life.
I've talked to a lot of other women in the field of comedy and none of us feel like being a woman has been a barrier to success in our lives. I can't claim to feel like I've been under some man's thumb in comedy. I've sort of always done my own thing for better or worse, and have been lucky enough to be able to perform ever since. So I'm not surprised by all the articles, but I don't know if it's necessarily true. It's not like we haven't been around.
Sometimes when we get our ass kicked and we're down, sometimes we stay down, and sometimes we get depressed and sometimes we don't know how to handle it, and sometimes we don't know what's going on, and sometimes we feel like it's not worth going on.
The challenge to writers today, I think, is not to disown any part of our heritage. Whatever our theme in writing, it is old and tried. Whatever our place, it has been visited by the stranger, it will never be new again. It is only the vision that can be new; but that is enough.
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