A Quote by Jadakiss

There's a lot of one-hit wonders and a lot of come-and-go artists and even the labels give up on you after a couple years. — © Jadakiss
There's a lot of one-hit wonders and a lot of come-and-go artists and even the labels give up on you after a couple years.
After the first couple of years recording, I did a lot of praying. I said, 'Lord, please give me a hit.' I want one so bad.
After the first couple of years recording I did a lot of praying. I said, 'Lord, please give me a hit.' I want one so bad.
I come from a visual background, and I grew up around a lot of hippies and artists. My mom and my brother and I moved around a lot. We basically moved every couple of years, and I went to a lot of different schools. But creativity, for us, was always a way of life. It was never a job. Being an artist was a passion and a way of life.
When he finished up with the Twins and even after he was done, he was always down on the field, so I had a chance to talk to him every time we came into town. Even my first couple of years - when I was still wet behind the ears - he was more than willing to come over and say, 'Hi.' Obviously, he didn't have to introduce himself, but he spent a little time and asked me how I was doing. And it always meant a lot. Anytime you have somebody of that stature on and off the field to take time and be willing to come talk to you, it means a lot.
I've seen a lot of artists fall out with their labels and be irrelevant when they come back.
I've sort of remarried a few years ago and have had a couple more children in the last couple of years. And so home life is taking up a lot of my time.
After years of touring, my voice has gotten a lot stronger. I used to just blow out after two or three shows, so I've definitely trained my voice, because I can now hit notes that I couldn't hit before.
I grew up listening to Nirvana, and then went through some bad 90s pop stuff - a lot of Australian one-hit wonders.
I grew up listening to Nirvana and then went through some bad '90s pop stuff - a lot of Australian one-hit wonders.
My parents divorced when I was 3 years old. They had a lounge act in Las Vegas, where I was born. The band broke up and the marriage dissolved, and my mother, my sister and I moved to Southern California. And I didn't see my dad a lot growing up; he was on the road a lot. I'd see him every couple years.
I just would never go audition, and yet I was in very visible places where people would come looking for actors. I say I'm lazy, though I'm sure if I were in therapy for a lot of years, it would turn out to be a lot more than laziness. After awhile, it was, like, too embarrassing for me not to go on auditions. I had to be humiliated into it.
I give NFL quarterbacks a lot of leeway for a couple of years.
We're dependent on buying overseas productions and television shows. A lot of the time they come in packages, I think. You take the hit show and you take a couple of other unloved children that they want to get rid of along with the hit show.
The nice thing about the world that I've been able to inhabit for the last couple of years is that I'm given a lot of freedom. Not all artists really get that.
A lot of artists give up because it's just too damn hard to go on making art in a culture that by and large does not support its artists. But the people who don't give up are the people who find a way to believe in abundance rather than scarcity. They've taken into their hearts the idea that there is enough for all of us, that success will manifest itself in different ways for different sorts of artists, that keeping the faith is more important than cashing the check, that being genuinely happy for someone else who got something you hope to get makes you genuinely happier too.
When I first hit the scene, it was just a lot of go, go, go, go, go. I have a lot of natural energy anyway, but it was over the top.
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