A Quote by Jadakiss

The music I do is for the streets. — © Jadakiss
The music I do is for the streets.

Quote Topics

Quote Author

I ain't makin' music for the media. I make music for the people in the streets - that want a street level of entertainment. I'm makin' music because I have the streets to feed.
One of the things that sells music is when the artist is looked at as someone who's come up from the streets. Not just any streets, but the toughest, meanest streets of the urban ghetto. And that's called 'street credibility.'
One of the things that sells music is when the artist is looked at as someone who's come up from the streets. Not just any streets, but the toughest, meanest streets of the urban ghetto. And that's called 'street credibility'.
My childhood is streets upon streets upon streets upon streets. Streets to define you and streets to confine you, with no sign of motorway, freeway or highway.
If it falls your lot to be a street sweeper, sweep streets as Raphael painted pictures, sweep streets as Michelangelo carved marble, sweep streets as Beethoven composed music, or Shakespeare wrote poetry.
I wasn't really into music. I was into the streets. I was too worried about the streets and how I was going to eat and how I was going to make the streets happen.
I come from making money in the streets. The streets all I know. All my family is still in the streets. So, it's going to be hard to pull me right back into that. When I ain't doing no shows four days out of the week, I may be in my hood or at my grandma's house in the hood. But yes, I got a kid. I got to get more serious about the music so he don't get dragged into that life.
Paris, the City of Light, never fails to enchant. With its jazz clubs, music in the streets, outdoor restaurants. The clatter of knives and forks at street-side cafes. Chic and trendy students embracing in the streets.
I guess hip-hop has been closer to the pulse of the streets than any music we've had in a long time. It's sociology as well as music, which is in keeping with the tradition of black music in America.
My mom and dad are from the streets. My mom's from Chicago. My dad's from Memphis. My dad got out of school and got with my mom. They were hustlers. They were from the streets. They were doing their thing. The streets ain't got no love for the streets. You can light up the streets, or be a victim of the streets.
I wasn't from the streets, but I was in the streets. I had a good family, nice home - you know, I can't say I grew up with nothing... but I chose to hang in the streets.
I keep my ear to the streets - that's how I know music. I live, breathe, eat, and sleep music. That's it. Nothing else.
I don't think about returning to the streets, 'cause I don't have any plans to return to the streets. I'm at another level in my life. Returning to the street - I still be in my streets when I get time to, when it's necessary.
Back in the day, music imitated life. Now it's the opposite way around: life is imitating music. It's like whatever the rappers say, people think that that's how we're supposed to be; but back then, we kind of looked at the streets, and we made music for that.
Buckley and Vidal were both stand-ins for what was happening on the streets of Chicago and the streets of America. I mean, they're representing these two different camps that are at war in the streets. And they're at war with their words. And each was looking for a knockout.
I hate the business part of music. Music is just like the streets. There's loyal and disloyal people, people saying one thing and then don't do it.
This site uses cookies to ensure you get the best experience. More info...
Got it!