A Quote by Jadakiss

Well, my family used to live in Atlanta a few years back so I always had a good relationship with all the artists down there, as well as artists from Houston and Memphis, before the South took over, I was already like a family member of the South so there's always love.
I tell people I live in Atlanta. Georgia's outside of Atlanta, absolutely. But my family's from the very rural south. My family's from Tuskegee, Alabama. And they're from Eatonton, Georgia. Places like Greenwood, Georgia, my family is from... so I've seen it both ways.
Atlanta is not the South. Atlanta is not the South, gotdamn it, when you go to Atlanta what does your clock say? When you get off the plane from Los Angeles or Texas, what time do it be over there? Atlanta is East Coast time. You niggas ain't in the South.
I helped found Artists for New South Africa, but it used to be called Artists for Free South Africa. Alfre Woodard and a bunch of us started this.
Oh man, I love what the South brings as far as the soul, and I really have noticed from even the early days of listening to OutKast and Goodie Mob that Atlanta and the South has a diverse sound to it. You have bounce music. You have soulful musicians. You have artists with vocals who try to do different things.
Slowly, very slowly, like two unhurried compass needles, the feet turned towards the right; north, north-east, east, south-east, south, south-south-west; then paused, and after a few seconds, turned as unhurriedly back towards the left. South-south-west, south, south-east, east.
If you're black, you were born in jail, in the North as well as the South. Stop talking about the South. Long as you south of the Canadian border, you're south.
My maternal family are South African and when I was small and my parents separated my mother and I went back to South Africa. So for me the emergence of my own childhood consciousness was in the context of 1970s and 1980s apartheid South Africa and the movement there.
Going back to South Sudan after the independence took place was deeply emotional for me because I had gone through the civil war with my family just before going to seek refuge in London.
On one hand, I can say, you know, I had many family members - I had many people in my extended family who left right after Katrina, who relocated to different cities, right? Houston, Atlanta. Right? Most of them have come back.
In the early eighties, there were a lot of artists involved with the music scene. All those young artists, before their careers took off, were into music. Robert Longo used to play some guitar. He had a band for a while. Basquiat had a band. I mean, people were always trying to mix music and art - in fact, I'm guilty of it myself.
One of our chief needs as creative beings is support. Unfortunately, this can be hard to come by. Ideally, we would be nurtured and encourages first by our nuclear family and then by ever-widening circles of friends, teachers, well-wishers. As young artists, we need and want to be acknowledged for our attempts and efforts as well as for our achievements and triumphs. Unfortunately, many artists never receive this critical early encouragement. As a result, they may not know they are artists at all.
We've been back since July, but I spent some time with the family in the south of France over the summer. We rented a house with another couple and took it easy.
Dr. King said, 'We are all tied together in a garment of mutual destiny.' Which says to me no matter how well I may be doing in Hollywood, if a young brother or sister in Louisiana, the South Bronx, the South Side of Chicago, South Central Los Angeles - is not doing well, then I'm not doing very well.
I started producing in California, and they called it mob music. When I moved to Atlanta, the sound was different. People in Atlanta didn't like to rap over West Coast beats. So I had to make adjustments to what was going on in the South.
Before 1994, many South Africans used theater as a voice of protest against the government. But with the end of apartheid, like the artists who watched the fall of the Iron Curtain in Europe, theater had to find new voices and search for new issues.
I've started confiding in people, other artists mostly, that I hate making 'South Park,' and I always have. It's super stressful. I'm always miserable.
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