A Quote by Jade Bird
No artist is one-dimensional. I get the sense that if I push myself now and if I create a million different-sounding songs - I just feel that's going to be such a set-up for my ability in the future.
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I definitely didn't wanna be a one-dimensional artist that you can just put into one box. Because, to me, we're all masters of certain energies, and we all create different colours.
If you're going to be an artist, you have to create music that moves you, and to not try to fit in so much with what's happening around you. It's a career choice. I could have done other kinds of songs that got me in the radio or Top 10, but I wouldn't feel proud of the work. I come up short when I create music I don't like, and fans can tell too. The goal isn't to get into it to be famous; the goal is to perfect your craft and create your own sound.
I just would like to be challenged. I want to push myself to the limit, and constantly challenge myself and grow as an artist. That's where I want to go. Explore different things, different characters, in film, and just everything!
I feel like I have to create the Keith Whitley sound. That doesn't mean I can't borrow from the people I grew up listening to, but it doesn't serve any purpose to sing the same kind of songs they sang. When you do that, it's going to come out sounding like an imitation, whether it's meant to or not.
I don't go, like, 'Hmm, I'm now going to create something for the black community.' I just feel this compelling urge. I just feel myself drawn to stories that I feel have a potency and immediacy.
Some writers are writing one great, big book and just taking all these different avenues towards it. They might seem on the outside to be different, but they're really not. And that's a different kind of mindset. I don't know why it is, but I just feel like I really want to escape myself as much as I can - myself as the artist, or as the writer, or as the thinker - with each new project, because one, it's just boredom, but also, I guess I just feel most comfortable starting a new book if I just feel a little in the dark about it.
Times are completely different now. If you're a brand new artist with a record you want to release to the masses, I would suggest you try and get it hot yourself first. This way you can create your own demand so you'll end up having the option of demanding what you want if you do decide to sign with a label. If you don't and you still get on hot on your own, you then have the ability to reap all of your profits.
I've done a couple of songs which are not up to the mark. So, mentally, I've set a goal that I should be more dynamic and try and push myself as much as I can.
When recording, whatever you first think about, you come out with something totally different at the end of it. Whatever plans you have you throw away, because it's always going to end up sounding pretty different from what you initially thought of. I probably only had about five or six songs when I started, and it just sort of flowed from that.
If you're a gardener, or creating a garden you're clearly looking to the future. You have a sense of your own future and a sense of yourself in that space. People coming here feel that hope, that renewal, and that sense of regeneration. They get their hands dirty and connect back to the ground, which is what we feel strongly about - giving everybody the opportunity to get connected to the earth.
Me and Skepta, we're kind of from the same world but have totally different-sounding albums. That's why I get funny sometimes when people say I'm a grime artist. Not in a negative way, but I don't feel it's a true representation of the music I'm making.
I write songs for myself, songs come out of me, I get enjoyment out of it. Basically, that's it - I get enjoyment out of my songs, I know they're good songs, and know that the people around me who I respect are all getting up on these tunes, and the feedback is really good, so that's it. There are people who will receive them, and don't receive them. Not in a spiritual sense, but in a commercial sense - do these songs treat people, and so far they're working.
I think that so much of the creative process is a fragmentary one, and then it's about just allowing your intuition to put it together for you. It's funny how you create something and you think you're going in a million different directions, and then the thing you end up with is the thing that you wanted to create your whole life, but you're just as surprised by it as anybody else.
I'm not Beyonce or Trey Songz or anything, so every now and again, I feel a little like, 'Are they listening to me, or am I just sounding crazy singing to myself?' I feel like that sometimes.
One thing that feels very important to me as an artist is to continually challenge myself and push myself to do all kinds of different things.
I just do as many songs as I can and then I put it together when I get sort of in the middle, maybe 30 songs, that's when I start really thinking about the name of the cd and what direction all the songs are going, that kind of stuff. But I don't ever want to corner myself, I just want to be able to express whatever I can express in songs and just pick after that.
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