A Quote by Jadon Sancho
I just want to show other young kids growing up that it is not about just staying in England, getting loans. Explore.
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My mother was a P.E. teacher, and she was kind of a fanatic about fitness and nutrition growing up, so it was ingrained in me at a young age. As I get older, I'm finding out it's not about getting all buffed up and looking good. It's more about staying healthy and flexible.
I come from nothing. Growing up I didn't really have too much, and I can tap into that anytime that I want to and just remember how bad things were for me growing up and just knowing that I never want to go back there and I don't want my kids to go through it.
I've found that in now having experienced what it's like to make records and just through growing up in general that you should be expressive about what's affecting you instead of trying to sing about a subject just for the sake of other people getting something from it.
We Die Young is about gang violence. That was something that was happening in Seattle, something that kinda opened our eyes. It just seemed like things were getting out of hand. Incidents where kids were getting shot, and getting their tennis shoes ripped off their dead bodies. It just seems like these kids are dying at younger and younger ages and getting involved in gang activity.
I can't really remember my life without movies... [Growing up in Hollywood] is no different really. I make movies the same way other kids play tennis or go to piano lessons. I'm trying to get better at what I want to do, just like other kids are trying to get better at what they want to do.
On the real though, just being so young, then coming out of the hood and making it is just crazy to see. Just picking up a microphone and coming from the block, then being able to go around the world and really staying yourself and staying true to who you are.
I would love to coach and teach people about football. It's just that the time constraints are so tough to coach, especially when you have seven kids and they are growing up. I'm just in too blessed of a situation to spend from five in the morning until 12 at night coaching and not watching my kids grow up.
You're going to a bunch of auditions, and most of the time you're just getting denied, but just staying in there and keeping my head and being determined helped. Growing is what's challenging; you have to constantly practice your craft.
Just getting young kids excited about hockey, then they'll want to skate, they'll want to start joining junior leagues, they'll want to play in high school, etc., so we're trying to expand at all levels. That's good for the sport, and it's good for the Ducks long term.
Some athletes feel they have to show they're confident and talk about what they're going to achieve. I don't think there's anything wrong with just quietly believing in yourself and just getting on with it. You don't have to talk about it all the time; you want your performances to show for it.
I worry very much about kids growing up in a society where they think: "I'm not going to talk about this issue, read this book or explore this idea because someone may think I'm a terrorist." That's not the kind of free society I want for our children.
I started acting when I was 13 in New York. Worked there for a couple years, then auditioned for a show there that was going to be filming here. Ended up coming out, getting the job and just staying.
When you're growing up, you have your heroes, and you hear about people going off to other countries to play football, but when you're so young, you're not thinking about that. You just play. No referee, no rules.
'The Simpsons' was about children and married parents; 'Futurama' is about people in between; they're growing up and haven't settled down. Every other cartoon show seemed to be, you know, dumb dad, bratty kids.
I never think of my work as writing for a young audience, frankly, because I think it risks talking 'down' to them. The idea is for these books to work just as well as for adults as kids. As for what readers will take away, I just want them to love being in the world and see it as a safe place to explore things that adults are often uncomfortable talking to them about.
When a show becomes successful, people want to hire the people on the show for other things, and we would all try to do other things, but we could never end up doing them, so casting directors were just like, 'Enough of them! Don't touch the 'Glee' kids, because you can't use them!'
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