A Quote by Jaejoong

This is probably very obvious but I feel very lonely. I miss the person I want to be with the most. — © Jaejoong
This is probably very obvious but I feel very lonely. I miss the person I want to be with the most.
One cost, for the lonely: If you want to be interesting, the one thing you shouldn't do is really focus on the fact that 'I want this person to like me.' That's going to make you very uninteresting. But the lonely, they just can't help but focus on that.
To me, it's obvious that the winner has to bet very selectively. It's been obvious to me since very early in life. I don't know why it's not obvious to very many other people.
We're in a very, very profound crisis. It's so obvious that no one in the power structure, either the corporate power structure or the political power structure, knows what to do or is willing to do what's necessary in relationship both to global war and global warming. It's so obvious that conditions are getting worse for the great majority of Americans. It's so obvious also that we face a very serious danger from people who feel, see themselves only as victims. And we have to somehow, in a very loving way, help the American people to recover the best that is in our traditions.
I still feel immense love and loyalty to Steve. And I've got great kids, I've got a very full life, and while I'm lonely for Steve, I'm not a lonely person.
It is very difficult for people to believe the simple fact that every persecutor was once a victim. Yet it should be very obvious that someone who was allowed to feel free and strong from childhood does not have the need to humiliate another person.
I don't over-think my existence. I'm a very imperfect person, like most of us are. I'm also a very busy person. I have a family. I have a career. I'm a professor at NYU. I have a full life for which I feel grateful every day.
I like to think that I'm a really strong, tough person, but I'm not. I'm a very, very needy person. I'm very insecure. I'm very impressionable. But, there is a side of me that is very put-together, very strong, very capable and very opinionated. It's the two sides of myself.
Making films can be very lonely, and that's the part I don't like. I don't want to feel like I'm pressing 'pause' on my personal life to make a movie. I want to feel like I'm still creating relationships and things are moving forward.
I want to make sure that teenage girls know that if you decide to keep your child, you have to get an education. You have to have a plan A, B, and C. Make sure you have a good support system. If all those things are not in place, it's going to be very, very hard - very, very lonely.
The university most worthy of rational admiration is that one in which your lonely thinker can feel himself lonely, most positively furthered, and most richly fed
I don't view the fans in the way that most performers do. As a mass of people who have paid money, I know what they want. It's a very, very, very, very, very low common denominator.
The other reason I didn't want to fictionalize it is because one of the main points of publishing a memoir in nonfiction was that I wanted to write about what had been a very lonely experience. The books that most saved my life as a kid were the ones that articulated lonely experiences that I had thought were mine alone.
I remember, when I was a teenager, people telling me, 'You know, when you are a mother, you will never feel lonely. You will feel so much love, and you will be fulfilled by this love.' Then I became a mother. And I learnt that is absolutely wrong: you can feel very lonely with your children, even if you love them.
My schooling was very conservative. I went to Trinity School, and then to the Hill School, which is a boarding school, then to Yale. My parents got divorced in that period, and I realized I didn't have a life anymore. I was the only child, so a three-person family breaks apart. I ended up very conformist, very scared, very lonely. I couldn't go on with Yale, just couldn't do it. I'd been doing too much of that for too long. I didn't know what I wanted, but I knew what I didn't want, which was to go to Wall Street and join the crowd there.
I think the one I'm most proud of as a songwriter is 'Breaking Your Heart' because it was just a different style for me. It was very - I feel like it was very old-timey Patsy Cline. It's got a very '50s feel to it, and I pushed myself to write those lyrics very intimately with my co-writer Ted Bruner.
Moonlight is very honest and very special to me. I feel like this is the most personal music I've made, by far. I'm very proud of it and I'm very excited. It's scary...it's vulnerable and kind of terrifying.
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