A Quote by Jagapathi Babu
I have played a terrorist in 'Goodachari,' a feudal lord in 'Rangasthalam' and a factionist in 'AS.' The variations in all these characters are so different. It's only because of my directors that this was possible.
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The law known as Marchetta, or Marquette, compelled newly married women to a most dishonorable servitude. They were regarded as the rightful prey of the Feudal Lord from one to three days after their marriage, and from this custom the eldest son of the serf was held as the son of the Lord.... Marquette was claimed by the Lord's Spiritual, as well as by the Lord's Temporal. The Church, indeed, was the bulwark of this base feudal claim.
To the feudal aristocracy and the aristocracy of the spirit, nobility derives from diametrically opposite sources. The glory of the feudal aristocrat is in being a link in the longest possible chain of ancestors. The glory of the aristocrat of the spirit is in having no ancestors - or having as few as possible. If an artist is his own ancestor, if he has only descendents, he enters history as a genius; if he has few ancestors, or is related to them distantly, he enters history as a talent.
The audience has changed. People want something different, they want variety. As an actor, we also seek variations in characters. That's the only way an actor matures.
To me, everything is endless variations on other things. Like waves in the ocean. They continue to turn over on each other, and they're all slightly different. I don't know if originality is possible. Is it even necessary? Because everything is different than what came before, but it's all branches from the same tree. Originality is overrated, but what you do with things is always different.
There are only five notes in the musical scale, but their variations are so many that they cannot all be heard. There are only five basic colors, but their variations are so many that they cannot all be seen. There are only five basic flavors, but their variations are so many that they cannot all be tasted. There are only two kinds of charge in battle, the unorthodox surprise attack and the orthodox direct attack, but variations of the unorthodox and the orthodox are endless. The unorthodox and the orthodox give rise to each other, like a beginningless circle-who could exhaust them?
I have been fortunate enough to be offered characters and projects that challenge me and that are different from the characters that I have played.
In Hollywood, the guy who plays Batman and Spiderman also plays normal characters. The biggest stars in the world want to play different characters. We can't give the excuse that because an actor played a superhero in his previous film, his next one won't work.
The differing opinions regarding the gospel are often categorized as different variations of the same truth, or coming at the same truth from different angles, or even emphasizing different aspects of the same truth. This fails to recognize that the different 'variations' are often altogether different gospels. The Reformed gospel is completely different from the Roman Catholic gospel; a faith-based gospel is in direct contradiction to a works-based gospel; a truly evangelical gospel stands in contrast to an ultracharismatic gospel.
If, at the end of the day, I can look back and see pictures of all the characters I've played, and there's a smorgasbord of weirdos and interesting, odd, different characters, I'd be so happy.
These days, the FBIS service regularly includes translations from many terrorist or terrorist-linked websites and chat forums. They provide an unprecedented inside look at how modern terrorist groups function and operate. They also offer a possible chain of evidence that, if properly investigated, can lead back to important transnational terrorist operatives. In other words, don't shut the websites down, but rather use them as a means to shut the terrorist organization down instead.
We need variations, variations in not just attempt but in flickers' attempts as well. I mean, a flicker needs to use different angles, pace to keep the opposition defence guessing.
I feel like I've been very lucky with the directors. The characters I've been offered, especially lately, have given me the opportunity to play all of these different women. I always wanted that, and it's something that you cannot do by yourself. If you want to play a diversity of characters, somebody else has to have the imagination to give you a role completely out of the box. We depend on somebody else's trust, and these directors are giving me their trust, and I am grateful for that.
I learned from different guys I played with, too. The key was probably three people: The good Lord, the offensive linemen I played with and great fullbacks that could block very well.
It's funny, because in drama school, my greatest strength was my range. So my early career was like that: I played all kinds of different characters.
I thought, 'Oh, acting is going to be great - I get to play different parts.' And then these auditions started coming up for terrorist, terrorist, terrorist, and I'm going, 'Whoa, what's this about?'
It's bullshit to think of friendship and romance as being different. They're not. They're just variations of the same love. Variations of the same desire to be close.
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