A Quote by Jaggi Vasudev

I'm not modern or ancient: I'm just contemporary. I'm sure every guru of his time was contemporary. — © Jaggi Vasudev
I'm not modern or ancient: I'm just contemporary. I'm sure every guru of his time was contemporary.
The Internet is just one of those things that contemporary humans can spend millions of "practice" events at, that the average human a thousand years ago had absolutely no exposure to. Our brains are massively remodeled by this exposure--but so, too, by reading, by television, by video games, by modern electronics, by contemporary music, by contemporary "tools," etc.
For most of the movies that I've done, we've shot in a contemporary house, in contemporary clothes, speaking in a contemporary way. So, I really enjoy that. It really helps.
... what I believe to be one of the major tragedies in the Church today. Namely, that evangelicals are biblical, but not contemporary, while liberals are contemporary but not biblical, and almost nobody is building bridges and relating the biblical text to the modern context
To be contemporary actually means to be an artist. [But] I do not feel contemporary in my work. I perceive my work as old-fashioned. It does not have a frame of actuality in our time or locality.
In a way, we tried to make 'The Salvation' a contemporary film with contemporary emotions. At the same time, in the script, you get a feel that all the small talk is not a part of our universe. It's more precise talk.
The world of contemporary art has, in a way, exponentially expanded in the last couple of decades, and almost every major city in Europe and Asia and North America has fallen over themselves to have their own contemporary art museum.
One of the great things about collecting contemporary art is that you mix with contemporary people.
Every modern male has, lying at the bottom of his psyche, a large, primitive being covered with hair down to his feet. Making contact with this Wild Man is the step the Eighties male or the Nineties male has yet to take. That bucketing-out process has yet to begin in our contemporary culture.
So many people report to be contemporary dancers, and they're not. They are sort of jazz dancers that feel like they're throwing a bit of classical in there. I mean, a true contemporary dancer has got ballet as their base and classical ballet, and that is their base. And then they choose to extemporize on that and go into a contemporary world.
Whatever happens, every individual is a child of his time; so philosophy too is its own time apprehended in thoughts. It is just as absurd to fancy that a philosophy can transcend its contemporary world as it is to fancy that an individual can overleap his own age, jump over Rhodes.
My entire career is contemporary based, not by choice, but just by character. So, all the movies I've done, except for one in 40 years, are contemporary. But I never did an effects movie. So, I'm also a producer and I was really curious about how this whole thing went together.
You don't have to try to be contemporary. You are already contemporary. What one has in mythology is being evolved all the time. Personally, I think I can do with Greek and Old Norse mythology. For example, I don't think I stand in need of planes or of railways or of cars.
I write 'by the seat of my pants.' I love to do research. I am inspired by contemporary writers and contemporary events. I live in the real world.
All great music is contemporary. If it's still alive and kicking, then it's contemporary. If it fades away, it was a period piece. It had its moment, and that was it.
"Contemporary art" for me is a kind of historical term that describes the 40 years between the Berlin Wall going up and then coming down. I'm not sure who will come up with a better term to describe art, but I think contemporary art is actually done for.
Alan [Lomax] and his father started off changing the definition of folk music from something ancient and anonymous to something very contemporary.
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