A Quote by Jagmeet Singh

Air India happened when I was about five years old but... I've attended memorials with respect to the victims and the families, the survivors of this horrible and heinous act. I've talked about how everyone denounces it.
The interesting thing was we never talked about pottery. Bernard [Leach] talked about social issues; he talked about the world political situation, he talked about the economy, he talked about all kinds of things.
Jane-Sweetie, we've talked about your weight-" my mother began. I'm only eight years old," I said. "How about I promise to be anorexic later?
When I began to think deeply about the metaphysics of love I talked with everyone around me about it. I talked to large audiences and even had wee one-on-one conversations with children about the way they think about love. I talked about love in every state, everywhere I traveled.
In 'Last to Die,' three children living in different cities are the only survivors when their families are slaughtered. Two years later, their foster families are murdered, and these three orphans are once again the only survivors.
The user interface on the iPhone, with all due respect for what this invention was all about is now five years old.
We talked about many issues, like welfare, is it the way of life or hand up? Talked about size of government, how much should it tax families and small businesses? And when we left that lunch, we got in the car and I looked over at Chuck and said, "I'll be damned. We're Republicans."
We talked about many issues, like welfare, is it the way of life or hand up? Talked about size of government, how much should it tax families and small businesses? And when we left that lunch, we got in the car and I looked over at Chuck and said, 'I'll be damned. we're Republicans.'
To spend any time with someone who is among the top five film composers of the last 50 years is pure gold dust. I mean, not necessarily stylistically, because everyone is different in what their music sounds like, but the approach and how to look at a film, how to think about a film, how to decide what you want to do, how to think about characters, how to think about art, how to think about narrative, how to liaise with producers, how to liaise with directors.
I think - since I was about 7 years old - that was when I was first introduced to the comics called 'Amar Chitra Katha' that are published in India. They're not about a superhero, but they encompass all the stories of India, the folklore, the mythology, everything. But most of these stories are about Indian historical figures.
He lay far across the room from her, on a winter island separated by an empty sea. She talked to him for what seemed a long while and she talked about this and she talked about that and it was only words, like the words he had heard once in a nursery at a friend's house, a two-year-old child building word patters, like jargon, making pretty sounds in the air.
When I was four or five years old, I heard a lot of stories about the Holocaust because both my parents were survivors. I'm sure that was very important in my life. My father snuck out from under the floorboards to make love to my mother. I can't imagine why they kept me.
Everyone carries the weight of WWII with them in their recent family history, and yet it is rarely spoken about within families, because veterans and survivors don't tend to talk.
I've talked about my relationship without consulting my boyfriend about whether or not he wants that talked about, and I've also taken a story that has happened with us and, for comedic purposes, exaggerated it or changed it in some way that made him look not great.
Also, having grown up in England, you walk around London, you're passing relics that are a thousand years old - the wall of London is a thousand years old. You don't talk about it, it's part of your everyday life. The idea that people are in these environments and talking about the past and what happened, it's irrelevant. It's all about living and in this world it was about surviving.
The writing that most interests me isn't about narcos or sicarios or police or whatever. It's about the victims and the survivors, and about the suffering and trauma that so many in Mexico and Central America endure, and that is all around us whether we notice it or not.
In the nineties, everybody wants to talk about their rights and privileges. Twenty-five years ago, people talked about their obligations and responsibilities.
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