A Quote by Jai Courtney

Action roles - or any role - should go to the best guy for the job. People obsess about nationality. Hollywood and America might be the hub for pop culture and cinema for the Western world, but that shouldn't suggest that all the roles should go to young American men.
The problem in Hollywood is that they try to become the only kind of cinema in the world, okay? The imposition everywhere of a unique culture, which is Hollywood culture, and a unique way of life, which is the American way of life. But Hollywood has forgotten that, in the past, what made Hollywood great and what made it go ahead was the fact that Hollywood was fed with, for example, Jewish directors coming from Germany or Austria and enriching Hollywood. In 15, 20 years, Hollywood became imperialistic. Cinema goes ahead when it is marriaged by other culture. Otherwise, it turns on itself.
Certain roles, I just won't invest in. I'll go in and audition, but I might not spend five hours trying to figure out what the character is really about or go so deep into it. I might just learn the lines and go in and try my best because I know it's not safe for me to love the character or to fall in love with the idea of the role.
I'm neurotic in the sense that I can have a crowd of 300 people cheering you, applauding you, standing O, but one guy come out of the audience and go, "Hey man, you should have cut 20 minutes. That wasn't so good." And I'll just obsess on that one guy. After all this love, I'll obsess on him and want to smash his face in and strangle him and kick him down the stairs and I'll be pouting about that one guy all night.
The roles do get fewer as you get older. That's the same for all professions, there's fewer roles for people later in life. I don't think it should be like that because as long as you are able to do your job then people should keep working with you. It shouldn't come down to age.
claims about what's 'natural' have long been used to reinforce traditional gender roles and values. ... Even the notion that women should have children at all is based on the idea that a woman's inherent and most important role is that of mother. Shockingly, men's 'innate' roles are a lot more fun than the ones bestowed on women.
The outcome of this culture of discrimination is that young people are routinely denied the roles in society they can, should, and need to be occupying.
Whatever country you go to, you need to definitely follow the rules. So I believe it's very important for people, wherever they go, any immigrant should know or should try to learn something about the culture.
In the homes of America are born the children of America; and from them go out into American life, American men and women. They go out with the stamp of these homes upon them; and only as these homes are what they should be, will they be what they should be.
It's weird when auditioning for roles, because a lot of my mates go out for the same roles. You don't want to know that you're beating someone to the role.
Yes. Otherwise I could have done a lot of Hollywood movies. After Crouching Tiger I got a lot of offers, but I turned them down because they were all victim roles - poor girls sold to America to be a wife or whatever. I know I have the ability to go deeper, to take on more original roles than that.
Every role is easy. As an actor it is my job to make my job easy. If I start hyperventilating about my roles, then how will I do it? So, with all my roles, somewhere I feel comfortable about them, and that is why I play them.
If you just look at the number of roles for women versus the number of roles for men in any given film, there are always far more roles for men. That's always been true. When I went to college, I went to Julliard. At that time - and I don't know if this is still true - they always selected fewer women than men for the program, because there were so few roles for women in plays. That was sort of acknowledgment for me of the fact that writers write more roles for men than they do for women.
I have laid a very basic ground rule for myself. I should be a favourite with the audience, they should love me, my role, my acting, appreciate my talent. I don't want to repeat any of my roles, ever.
One thing I love about America is that I'm not boxed in by my upbringing here. England is still so class-based that there are certain roles that I just won't go for. I'm a middle-class boy and I won't go for the scruffy working-class role, which is frustrating, and here I can play anything.
Government should allow people to go out and do the things Americans have always done, create jobs and prosperity. And America's role in the world - the world is a safer and better place when America is the strongest country in the world.
The reason I wouldn't dare to write a Western is simply because that seems to be so much a part of American culture. Maybe if I want to write a Western enough I should try to overcome that fear, but I'll certainly feel like I'm trespassing. I feel that that is so much a part of American foundation myth, it's part of the myth of America, the American vision of what America is, which people have glorified and then challenged and then vilified.
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