A Quote by Jai Courtney

You get involved with a studio, and optional pictures and sequel options and that sort of thing are becoming part and parcel with the roles they're handing out. — © Jai Courtney
You get involved with a studio, and optional pictures and sequel options and that sort of thing are becoming part and parcel with the roles they're handing out.
Failure comes part and parcel with invention. It’s not optional.
The one thing I never get involved with is selecting art or pictures for a client. This is a very personal thing. If the clients have pictures, I will hang them. When they do not own pictures I leave the walls blank.
I want to do all kinds of roles. It's a part and parcel of my job.
There's tons of information on the Internet, so if you type in cancer, they'll give you 15, 000 different options to get involved with cancer. It's very easy to get involved if you want to get involved, especially to volunteer your time.
Failure is part and parcel of the process of experimenting with roles and films.
Being out of a team changes you as a person. You don't realise it but, away from the game, you can be snappy with your family or friends if you're not playing. It hurts not to be involved, but I guess you have to accept it. It's part and parcel of being at a big club.
I think so much of your energy when you're growing up is about becoming independent of your parents. And the older you get, the more you realise you're actually so much part and parcel of the same kind of material.
I don't think it's that strange that a show has sort of a bumpy beginning. It's just part and parcel of the process.
I've gone through my adolescence on TV so it's pretty cringey when I look back on some pictures and scenes, but that's part and parcel of being a child actor and growing up.
There was a time when we were in a van and handing out the CDs at Warped Tour. We had a two-song EP that we were just handing out for free just to promote ourselves. That was on the 'Waking the Fallen' record, and we were just going around and handing out the CDs and stuff like that.
You sign for a sequel for everything these days, just in case, options. In the past, you avoided them like the plague because it meant somewhere down the road you couldn't take a job because you had to do a sequel. Now it's a feature of pretty much any feature you do.
People will turn their noses up at a sequel or that type of thing, but Pixar really works hard - if they're making a sequel - to make a sequel an original movie, to make it an original story.
All the pictures I do are contemporary. I've sort of discovered I haven't really been into science fiction or period pictures. And so, in that vein, psychological thrillers play a big part.
A studio is an absolute labyrinth of possibilities - this is why records take so long to make because there are millions of permutations of things you can do. The most useful thing you can do is to get rid of some of those options before you start
I don't want to have to put on that "thing" - I call it "the thing" when I have to do my hair, put on the lashes, get dressed up. When I go out for potato chips, I just want to go out looking like myself, which means you will see bad pictures of me. There probably are some out there right now, but it's just part of the life.
I had never liked bullying of any sort, especially when an individual acquires his courage by becoming part of a faceless mob. I always say if you need fake courage, get it out of a bottle like I do.
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