A Quote by Jaida Jones

The Kiril Islands had changed hands more times than a good coin in a whorehouse. — © Jaida Jones
The Kiril Islands had changed hands more times than a good coin in a whorehouse.
In the end we had changed the position of the hands so many times that we had no idea what the time really was.
Dreams were the worst. Of course I dreamed of food and love, but they were pleasant rather than otherwise. But then I'd dream of things like slitting a baby's throat, mistaking it for a baby goat. I'd have nightmares of other islands stretching away from mine, infinities of islands, islands spawning islands, like frogs' eggs turning into polliwogs of islands, knowing that I had to live on each and every one, eventually, for ages, registering their flora, their fauna, their geography.
With her Florentino Ariza learned what he had already experienced many times without realizing it: that one can be in love with several people at the same time, feel the same sorrow with each, and not betray any of them. Alone in the midst of the crowd on the pier, he said to himself in a flash of anger: 'My heart has more rooms than a whorehouse.
Science merely amplifies the capabilities of human beings. Science gives us the ability to do ill and to do good more than we had, and to question science in this respect is like questioning whether people ought to have two hands or just one, because with two hands they could do more evil than they can with just one.
I had more energy at 50. On the other hand, at 75, I've probably got a little more wisdom and good judgment than I had at 50 because I've got more experience. But I haven't really changed. I'm still driven by the same philosophy.
What great profit you gain from God when you are generous! You give a coin and receive a kingdom; you give bread from wheat and receive the Bread of Life; you give a transitory good and receive an everlasting one. You will receive it back, a hundred times more than you offered.
I used to be very hands-on, but lately I've been more hands-off and I plan to become more hands-on and less hands-off and hope that hands-on will become better than hands-off, the way hands-on used to be.
You should know how terrible a power belief is, especially in the wrong hands -- and how do you tell which hands are wrong? Believe something and the Universe is on its way to being changed. Because you've changed, by believing. Once you've changed, other things start to follow.
He changed more times than a baby in a beer-drinking contest.
For five years I've felt like the best prostitute in a high-class whorehouse. But all the other girls get paid more than I do.
Writing is more than anything a compulsion, like some people wash their hands thirty times a day for fear of awful consequences if they do not. It pays a whole lot better than this type of compulsion, but it is no more heroic.
All has changed, thanks to Joe Eszterhas' life-threatening battle with throat cancer. He announced in "The New York Times" that he and Hollywood had blood on their hands and now Eszterhas is crusading to stop Hollywood's glamorization of smoking.
Criticism is often not a science; it is a craft, requiring more good health than wit, more hard work than talent, more habit than native genius. In the hands of a man who has read widely but lacks judgment, applied to certain subjects it can corrupt both its readers and the writer himself.
We had no more courage than Harriet Tubman or Marcus Garvey had in their times. We just had a more vulnerable enemy.
Fantasy is an area where it is possible to talk about right and wrong, good and evil, with a straight face. In mainstream fiction and even in a good deal of mystery, these things are presented as simply two sides of the same coin. Never really more than a matter of where you happen to be standing.
I enter a whorehouse with the same interest as I do the British museum or the Metropolitan - in the same spirit of curiosity. Here are the works of man, here is an art of man, here is the eternal pursuit of gold and pleasure. I couldn't be more sincere. This doesn't mean that if I go to La Scala in Milan to hear Carmen I want to get up on the stage and participate. I do not. Neither do I always participate in a fine representative national whorehouse - but I must see it as a spectacle, an offering, a symptom of a nation.
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