A Quote by Jaideep Ahlawat

I hope many think that I can also do vulnerable parts and not macho, antagonist parts in which they've seen me. — © Jaideep Ahlawat
I hope many think that I can also do vulnerable parts and not macho, antagonist parts in which they've seen me.
Some people are attracted to vulnerability. From my very first album, I've been vulnerable. I've always given parts of me, parts of my life - good, bad, ugly. I've never put up this image as a super-thug. Also, some people just like the music.
I'm just naturally gravitating towards different things. As you mature, different subject matters. And as you're older, you can't play as many parts, or you shouldn't be playing the parts that you used to play. But also there's the opportunity to play parts that you couldn't have.
People are coming to you at their most vulnerable; they're showing you the parts of themselves that they're afraid to show: the parts that they're not so sure about, not so secure in. And so it's a really holy profession I think, teaching. If you do it right, it can change somebody's life.
At my school, which was all boys, I played almost exclusively lady parts. When I say lady parts, I mean parts that were ladies. To actually play lady parts would be weird, even by English standards.
Take of London fog 30 parts; malaria 10 parts, gas leaks 20 parts, dewdrops gathered in a brickyard at sunrise 25 parts; odor of honeysuckle 15 parts. Mix. The mixture will give you an approximate conception of a Nashville drizzle.
There are not very many opportunities for little people in the industry. There are small parts and character parts, but we don't get the girl-at-the-end-of-the-film kind of parts... but I was quite happy with what I was doing.
I can finally see that all the terrible parts of my life, the embarrassing parts, the incidents I wanted to pretend never happened, and the things that make me "weird" and "different," were actually the most important parts of my life. They were the parts that made me ME.
Common sense steps in here and says: Separate the parts you want to be mobile from the parts you want to be inert. You have seen the result, and I know many have the skill to apply it.
I believe that the universe is one being, all its parts are different expressions of the same energy... parts of one organic whole.... (This is physics, I believe, as well as religion.) The parts change and pass, or die, people and races and rocks and stars; none of them seems to me important in itself, but only the whole. This whole is in all its parts so beautiful, and is felt by me to be so intensely in earnest, that I am compelled to love it, and to think of it as divine.
I believe that parts of people like John Garfield and Moms Mabley, the parts of them that I needed to be able to do what I'm doing, came into me. There's a very nice feeling that there are many, many spirits inside of me looking after me . . .
I think in any movie really the two most interesting parts are the protagonist and the antagonist.
When it comes to picking parts, I do make an effort to choose parts that I want to do, and not necessarily parts someone else wants me to do, or parts that someone else is going to respond to.
I don't play long parts. They must be short parts, but they've got to be parts that mean something, that matter, where people will notice when I'm on the screen, and people will remember the character after they've seen the film.
I've chosen the parts that have interested me and parts that I thought I could do a job with but also were challenging and a little bit scary.
We have repeatedly observed that while any whole is evolving, there is always going on an evolution of the parts into which it divides itself; but we have not observed that this equally holds of the totality of things, which is made up of parts within parts from the greatest down to the smallest.
With the 12-step program, if you don't subscribe to that way of life completely, it can be seen as failing, and I think a lot of people can take the parts of that kind of program that they need and not other parts.
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