A Quote by Jaideep Ahlawat

When we don't say 'male director,' then why call them 'female directors?' — © Jaideep Ahlawat
When we don't say 'male director,' then why call them 'female directors?'
I'm just hoping that as I get older, and as more and more movies get made by female directors, what we start to see is how, in the same way good male directors get a shot at creating interesting male and female characters, women do as well.
Most directors, I discovered, need to be convinced that the screenplay they're going to direct has something to do with them. And this is a tricky thing if you write screenplays where women have parts that are equal to or greater than the male part. And I thought, 'Why am I out there looking for directors?'—because you look at a list of directors, it's all boys. It certainly was when I started as a screenwriter. So I thought, 'I'm just gonna become a director and that'll make it easier.'
I don't really consider myself a female director, and I don't want to do so for other women. Female directors are just directors.
I like female directors that gravitate toward masculine things. I think the danger of a male director is the over-fetishization of the masculinity.
If you're good at your job, you're good at your job regardless of being male, female, whatever. Either you're a good director or you're not, and there are plenty of bad male directors.
In ancient times, people weren't just male or female, but one of three types: male/male, male/female, female/female. In other words, each person was made out of the components of two people. Everyone was happy with this arrangement and never really gave it much a thought. But then God took a knife and cut everybody in half, right down the middle. So after that the world was divided just into male and female, the upshot being that people spend their time running around trying to locate their missing other half.
I don't think I have advice for female directors as opposed to male directors. I think all first-time directors should try and be as prepared as they possibly can, because it's hard!
Hmm, can I be obvious and say there is probably a double standard for male vs. female directors? Sadly, I think that's actually the case. And it probably stems from the fact that there are proportionately so many fewer women directors than men ones that each project is perhaps more closely scrutinized for its content.
Women are just more oriented toward feelings - and I don't mean that in a negative way. But with a male actor and a male director, the emotional exploration can only go so far. With a female director, you can end up exploring so many more depths.
I do believe female directors, as well as our female writer, can bring out male vulnerability that some men can't because they can't face it.
A male director doesn't come to situations the same way that a female director would.
There are directors, and I think this is true of all directors, it would be true if I was a director - If the actor didn't want to do what I was suggesting, I would let him do it his way, and then I would say to him, "Just give me one where you do what the director wants", and that, of course, is the take that's used.
I was watching the Animal Planet. Did you know that the male seahorse has the baby? Why don't they just call that one the female?
It would be ridiculous to talk of male and female atmospheres, male and female springs or rains, male and female sunshine....How much more ridiculous is it in relation to mind, to soul, to thought, where there is as undeniably no such thing as sex.
When you can find a strong character and a director that does want to protect the integrity of all characters, female and male, then you have a good deal.
I was watching Animal Planet. Did you know that the male seahorse has the baby? And I was thinking, "Why don't they just call that the female seahorse?" You know it's just some stubborn scientist. "Yeah, that one there's the male seahorse." And his assistant's like, "Uh, Bill, that one's having a baby." ... "The male has the baby. You're fired."
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