A Quote by Jaimal Yogis

But I looked out at the waves far below the bluff. They looked violent, erupting against the cliff. I watched them rising - up, up, higher, higher - then falling, crashing, swirling into chaos, passing away. I breathed deeply. I tried to breathe space between my thoughts, find the space between the anger.
I thought that there must be an easier way to explain how a gravitational wave interacts with matter: If one just looked at the most primitive thing of all, 3D floating masses out in space, and look at how the space between them changed because of the gravitational wave coming between them.
There are no medium-sized trees in the deep forest. There are only the towering ones, whose canopy spreads across the sky. Below, in the gloom, there's light for nothing but mosses and ferns. But when a giant falls, leaving a little space ... then there's a race - between the trees on either side, who want to spread out, and the seedlings below, who race to grow up. Sometimes, you can make your own space.
There is a lake that one day refused to flow away and threw up a dam at the place where it had before flowed out and since then this lake has always risen higher and higher. Perhaps the very act of renunciation provides us with the strength to bear it ; perhaps man will rise ever higher and higher when he no longer flows out into a God.
The leaves are falling, falling as if from far up,as if orchards were dying high in space.Each leaf falls as if it were motioning "no."And tonight the heavy earth is fallingaway from all other stars in the loneliness.We're all falling. This hand here is falling.And look at the other one. It's in them all.And yet there is Someone, whose handsinfinitely calm, holding up all this falling.
NewSpace, commercial space - whatever you want to call it - is rising, with or without government support. It is rising in West Texas and on the Gulf Coast, in California and on the Virginia coast, and rising from the ashes of the old space program in Florida and in small shops and university labs in a hundred places in between.
I also grew up with community co-parents who looked out for each other. They looked out for children and tried to be the hands of God. They tried to live their faith.
If you want to find God, hang out in the space between your thoughts.
I used to say I wanted to genuflect to a woman, put her up on a pedestal higher and higher, way up beyond my grasp...Then I'd find another one.
In my earlier paintings, I wanted the space between the picture plane and the spectator to be active. It was in that space, paradoxically, the painting 'took place.' Then, little by little, and to some extent deliberately, I made it go the other way, opening up an interior space... so that there was a layered, shallow depth.
You come to the photograph as an aesthetic object with no context... Then you step in and read the text and then out again to revisit the image in a completely different way. I'm interested in that space between text and image. The piece becomes the negative space between the two.
During the 1990s, world leaders looked at the mounting threat of terrorism, looked up, looked away, and hoped the problem would go away.
Between two thoughts try to be alert; look into the interval, the space in between. You will see no mind; that is your nature. For thoughts come and go - they are accidental - but that inner space always remains. Clouds gather and go, disappear - they are accidental - but the sky remains. You are the sky.
Psychedelics are not flashlights into the chaos of the Freudian unconscious, they are tools for mathematically unpacking your mind into a higher dimensional space. In the Newtonian and print created space that we are walking around in you, are like a self extracting archive, that hasn't self extracted itself yet.
Growing up as a kid, I watched Jeremy Shockey... Tony Gonzalez... Antonio Gates. I looked up to them. I watched what they did to be successful.
'Restoring' is a very arrogant concept. If you're taking a house from 1812, do you restore it to how it looked the day after it was built, or restore it to the way it looked in 1828, or the way it looked in 1872? Do the minimum to stop it from falling apart, and then get away.
I looked up to find a slim blond figure standing in the doorway to the kitchen. For a frozen second, I looked at him and he looked at me, and then I screamed and threw my coffee, which hit him square in the groin.
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