A Quote by Jaime Camil

I had opera training for three years, and I have three albums out. I also did a Broadway show. I'm an actor that sings, so it is in my blood. It is in my system. — © Jaime Camil
I had opera training for three years, and I have three albums out. I also did a Broadway show. I'm an actor that sings, so it is in my blood. It is in my system.
I booked my first national tour of a Broadway show right out of college. It was the tap show, '42nd Street.' I had only been tap dancing for three years when I booked that show.
I was lucky enough to get into drama school in London back in 2005, and I was there for three years, and in those three years, we did a lot of theater. A lot of classical training.
'Bonnie and Clyde' was the first show and the first role that I got to originate. Being part of that from the ground up and investing three years of my life into seeing that show come to Broadway was really rigorous but also so exciting.
Bonnie and Clyde was the first show and the first role that I got to originate. Being part of that from the ground up and investing three years of my life into seeing that show come to Broadway was really rigorous but also so exciting.
I came into the 'Comedy Bang! Bang!' TV show with a level of confidence that I don't think I would've had if I hadn't been doing the podcast for three years already. I certainly had to figure out in those three years the sense of humor I wanted to do and the way to talk to celebrities without being incredibly intimidated by them.
I did 'Spring Awakening' on Broadway for about three years, and I did over 500 performances.
I definitely want my career to continue to branch out. I've had the pleasure of working in different areas of entertainment, from being in the music business as a teenager in a girl group to doing Broadway for three years in 'Hairspray,' and also doing TV and film.
I had started as an average athlete - a normal boy. It took me three years to win a race. I was glad that I endured those three years - that I did not give up.
What's difficult for American audiences is that they're used to a system here where you can get an actor for five years or even seven, and that is signed for at the audition. Whereas in England, no agent will give you an actor for more than three years.
When I was prepping for my Broadway debut as Romeo, it really hit me that I had never done that. I had trained at drama school for three years in my late teens to early 20s, and I'd studied Shakespeare, of course, but I hadn't actually performed it. So to do something like Romeo for my first Broadway role was a challenge.
I had just had a daughter, who was three or three-and-half years old, and I had been watching nothing but cartoons. That's really it. There was no YouTube. You're in France and you're raising a kid, so you break out the Tex Avery.
I did three years training for stage in drama school.
I was sad when the show [Defiance] got canceled. It was heartbreaking for all of us involved. It was definitely a project that everyone involved poured their heart and soul into. But we had three good years, which is, you know, three more years than most shows get.
I have also just finished three weeks on a soap opera in England. The soap opera is a rather famous one called Crossroads. It was first on television 25 years ago, and it has recently been brought back. I play the part of a businessman called David Wheeler.
I didn't want to do two years in the regular army, my music career was just getting started. So, I joined the Guard where, after going to weekend meetings, you'd do six months of active duty, with three months of basic training and three months of on-the-job training.
Everybody who know Rick Ross know that, for one, I love creating music, and one of the biggest impacts we have on the game was the fact that when we came into the game, artists was waiting two to three years to put out albums. I was one of the few that put out an album every year along with two or three mixtapes.
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