A Quote by Jaime Zevallos

You can't really have art without having a sense of community as art is for others to enjoy as well. — © Jaime Zevallos
You can't really have art without having a sense of community as art is for others to enjoy as well.
I have a fondness for making paintings that go beyond just having a conversation about art for art's sake or having a conversation about art history. I actually really enjoy looking at broader popular culture.
Art is a course in personal development that has no reliable diploma and no known end. The pursuit of art instructs in beauty as well as ugliness, fantasy as well as common sense. Art levels souls and baffles brains. Art softens pain because it is pain. Art gives joy because it is joy.
(...) contemporary art has become a kind of alternative religion for atheists. (...) For many art world insiders and art aficionados of other kinds, concept-driven art is a kind of existencial channel through which they bring meaning to their lives. It demands leaps of faith, but it rewards the believer with a sense of consequence. Moreover, just as churches and other ritualistic meeting places serve a social function, so art events generate a sense of community around shared interests
The word “art” is something the West has never understood. Art is supposed to be a part of a community. Like, scholars are supposed to be a part of a community... Art is to decorate people’s houses, their skin, their clothes, to make them expand their minds, and it’s supposed to be right in the community, where they can have it when they want it... It’s supposed to be as essential as a grocery store... that’s the only way art can function naturally.
I mean, the type of art that I enjoy is art that - I enjoy a very broad spectrum, but I especially like art that leaves me a little confused and uncertain as to what just happened.
Concrete, Steel & Paint portrays the core values of restorative justice-respect, responsibility and relationships-expressed through art. it is art that involves victims, offenders and communities in a dialogue that is sometimes difficult and painful, sometimes reconciling, but always engaging. As one prisoner says in the film, 'We have come together collectively through art.' It will be a great discussion tool for college classes, community groups and others interested in issues of justice, community-building, conflict resolution and socially-engaged art.
There are three classes of readers; some enjoy without judgment; others judge without enjoyment; and some there are who judge while they enjoy, and enjoy while they judge. The latter class reproduces the work of art on which it is engaged. Its numbers are very small.
The community of the Giver had achieved at such great price. A community without danger or pain. But also, a community without music, color or art. And books.
I can't believe that 100% of the people who stand in art galleries looking at art are thinking, 'Well, here I am, looking at art.' They must be having some sort of other, unselfconscious experience.
And I do think that good art - the art that tends to last - is that art that hits human beings on several different levels at once because everybody's different. Some people approach art through their emotions, others through their head, and the art that can appeal to all of those levels is more likely to reach more people. Having more people see the work doesn't necessarily mean better art but it stands a better chance of lasting.
When it comes to the street-art world, there are a lot of people who realize if they go out and put up a few pieces of street art and photograph them really well, even if their locations weren't actually that high-profile or dangerous, with the level of exposure they get from the Internet, with a large audience, they can maintain that rebel cache by having it be theoretically documented street art.
I wanted to show the community you can build something here without having to raid taxpayers' dollars. What better way to show the community what we're all about, as a welcome to come to the Institute of Contemporary Art and be a part of what we're doing here?
Politics has always been the art of the possible. Today it's too often the art of the probable - tinkering around the edges without any greater vision, without a sense of optimism and imagination.
While art may instruct as well as please, it can nevertheless be true art without instructing, but not without pleasing.
We've reached a point where we are not a very empathetic people, and art without empathy is art without an audience. My basic viewpoint is that without art we're alone.
Study what thou art Whereof thou art a part What thou knowest of this art This is really what thou art. All that is without thee also is within.
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