A Quote by Jaimie Alexander

I was cast in 'Thor' back in 2009, so it sort of took me out of the running for anything tied to DC Comics. — © Jaimie Alexander
I was cast in 'Thor' back in 2009, so it sort of took me out of the running for anything tied to DC Comics.
Part of running DC Comics is that it's much larger than Image Comics is, or was. There's a challenge to being one of the industry leaders in that everything you do is scrutinized and watched.
I wasn't terribly aware of Catwoman. She was a DC comics character and as a kid, I wasn't terribly fond of the DC comics characters. I was a Marvel boy.
This is not She-Thor. This is not Lady Thor. This is not Thorita. This is THOR. This is the THOR of the Marvel Universe. But it’s unlike any Thor we’ve ever seen before.
When I got out of college I worked for DC comics. I worked on staff there and I also freelanced for them for about a decade. I spent two years on staff as an editor right out of college. I'm from Los Angeles and I came back here after a couple of years in New York, to go to Graduate School at USC. I wasn't thinking specifically about animation although while I'd worked at DC.
I was cast in 'Thor' and I'm cast as a Nordic god. If you know anything about the Nords, they don't look like me but there you go. I think that's a sign of the times for the future. I think we will see multi-level casting. I think we will see that, and I think that's good.
At DC Comics, it has been a top priority that DC forges a meaningful, forward-looking digital strategy.
If 'Jingle Belle' harkens back to anything, it's sort of the Harvey Comics. Not really 'Archie,' but more of a teenage version of what Harvey Comics would have become, with the type of fantasy wonderland of her and her various friends.
Some men of the line regiment who had appeared on our right started running back. I shouted out to them to halt, but they took no notice. I pulled out my revolver and very nearly shot at them, but I thought it wouldn't do any good, as they all had their backs to me so would have thought that anyone hit was hit by a German bullet. If I ran after them my men might think I was running away. So I took my men on!
I discovered 'The Shield' back around 2010, when the Archie superheroes were licensed to DC Comics. From there, I went back into the archives and discovered this whole universe of characters, and I was hooked.
I broke into comics by working as a press reporter for the industry, for a trade press in comics, and reporting on events and reporting on books and so forth, and I got to know some of the editors at DC Comics in the mid-'80s.
I got into comics about the same time as music. By 12 years old, I had discovered my dad's killer comic book collection filled with Silver Age books from his youth...early Spider-Man, Thor, Fantastic Four, The Hulk, Detective Comics, Action Comics, you name it. Seeing those old books got me interested in new comics, so my friends and I would hit the local comic shop every Saturday to pick up the cool titles of my generation.
All our songs are about real people, true events. We do write about DC Comics and things like The Replacements. It's pretty much good conversations that happen at Art Brut shows. It's like making friends - like a Wanted ad: "Man that likes the Replacements and DC Comics wants friends to drink with at venue tonight. Who's coming?" It's like that.
In DC Comics, Blue Devil is a superhero who came out of a movie.
When I was a kid, I read many more Marvel comics than I did DC. As I got older, in high school and then in college, I started reading more DC.
My mother wouldn't even let me read DC Comics.
I am always really respectful of anything that has the kind of longevity and fan base that something like DC Comics has and 'The Flash' series in particular has.
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