A Quote by Jaimoe
Horns really make a good band. They always create excitement when it's needed. They give the music a broader spread. It doesn't have to be all guitars and keyboards all the time.
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I wrote, recorded and produced everything myself. I played the guitars and keyboards while the drums were programmed. As a producer, I think music technology has reached a point, where the results that can be achieved in this way, allows me to create the music and sounds I envision.
One summer, when I was elementary-school age, my neighbors and I built guitars and keyboards out of scrap wood, painted them in bright colors, and formed the cover band Lil' 'D' Duran Duran. We didn't make our own noise or even pretend to play our fake instruments.
We weren't listening to guitar bands, we were thoroughly ashamed of being a guitar band. So we bought loads of keyboards and learned how to use them, and when we got bored we went back to guitars.
Every album is unto itself, so whatever sounds we need to come up with, like way back when, we needed horns. So we invented the Lone Wolf Horns, and we learned how to play horns.
The lesson there is that there's no hiding the sound of a band that is bored with its own music. Whatever it takes to create the sound of excitement, that's what you want to do.
This band isn't mostly about being a political protest band. We want to entertain; we want to give you a good time. At the same time, if you look through the history of Priest, there's always been an intelligent factor.
The problem is that music is selfish in that you need to make it for yourself, so that you can give it away, and those two things don't jive. I needed to find the right reason to play that had the magic and mystery and excitement that made me want to play in the first place.
I've always wanted to have keyboards in the band.
But I always wanted to do a theatrical stuff. But when you're in a metal band of course you're limited because five people in the band, um, you've got no keyboards... you're limited. And I wanted... to go over-the-top, you know. Literally. I wanted to make an album that people would either hate or love.
I was a huge fan of this band called Sparks. It was a pretty good inauguration to music since their music is quite complex. They were a little glammy, and me - being a kid and not really understanding the complexity of grown-up lyrics - I took the best out of it. But at the same time, it was mysterious enough and too far away from me for me to really be able to reach it. But they were my first love affair in the world of music. I loved that band.
That was the special thing about the Carolina Chocolate Drops. We didn't want to do music full-time. We weren't looking to get rich, which is good, because we didn't. But we went further than we thought we would go. We started that band to celebrate Joe Thompson and the black string band music. That's not really a recipe for commercial success.
I had always wanted to make music on a big scale but never knew how it was going happen - until I saw a band in Oslo called Bridges. I was stunned. They had everything. The only thing they didn't have was me. I knew I needed to join, not for my own sake but for the band's. I knew I was a necessary ingredient.
I am one hundred percent dedicated to Hellyeah. I love what I do in this band. I'm really proud of this band. Everybody in this band is such a special person, and the music that we make together, I really believe, is very special and the next level in my life.
Our band Stereophonics never wanted to release a couple records and be the biggest band in the world for 10 minutes. We always wanted to stand the test of time, and make great music that people would want to listen to and that music lasts. We'd looked up to artists and bands that had big back catalogues.
The problem is that once I start on a song and get a rough idea of where I might go with an arrangement, I try dozens, sometimes hundreds, of different things on a song. The bass, the backing guitars, the lead guitars, the keyboards. It's a long process. It's like 100 steps forward and 99 steps back.
I started on Vine because it was such an engaging platform that was the most popular at the time. It came natural to me, and I understood the type of content I needed to make on it so that people could enjoy it. I knew it was a great start, but I had to spread my wings and create something that would last forever - a career.
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