A Quote by Jake Epstein
For those that don't know much about 'American Idiot' or Green Day, just know that it's my generation's The Who's 'Tommy' or Pink Floyd's 'The Wall.' It was an album that really spoke to a generation. The theatrical show encapsulates that feeling and brings it to an even wider audience.
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I don't know if it's unique, but I know many Korean American people of my generation who want to know about their grandparents' lives in Korea, but their family members won't tell them because it's too painful. But my grandmother is just a natural storyteller, and she very openly spoke about really difficult times in her life.
It [The Esemblist] is also about the generation of audience members that are watching shows and listening to us at the same time; hopefully, in time, when they listen to our show and then go see a show, they'll realize even more what it takes to make a show, and they'll know even more about everybody on stage, rather than just people above the title of the show.
I don't know how many times I heard older people, and not just parents but just older people, say, 'Oh, my God. Your generation is just totally nuts. You have no sense of what it was really like, when it was great.' And every generation has that same feeling, you know?
My generation those who were students in the late 60s was always, in the words of the Who, talking about our generation. That's what we thought of ourselves, as the most important thing since sliced bread. And the "we" that we meant was really the Western Europeans and American generation. And as I think back I suppose I have a sense of guilt on behalf of my generation, a sense that we were terribly provincial and didn't understand the really important stuff that was going on in Eastern Europe.
I'm a huge fan of Green Day's album 'American Idiot'; it was just a whole, very thorough experience.
The biggest surprise to people is that I sang background on Pink Floyd's 'The Wall' album.
There's the generation that made the rules, the generation that codified them. The generation that broke them - that's mine. The generation that laughed at them - that's Tarantino's. And now there's a generation that doesn't know that there were any.
Miley [Cyrus] is so sweet. In this generation - and I know because I have two teenage boys - they don't really have to care about things. It's kind of a desensitized generation. I'm so impressed that she's really vegan and outspoken about animal welfare.
I was part of the first generation of girls and women to be educated and go to grammar school even if we didn't have much money. Then that generation went, 'OK, great', and went into medicine or the police, and hit this wall of discrimination from older men who hadn't caught up.
What I want to do is basically tell my generation's story about how music and culture helped affect a generation, and a generation that's so profound, that it went on to elect the first African-American president.
I would almost consider myself a canonical child of Generation X... because I think there is an ethic and aesthetic that goes along with that generation, it may have something to do with the fact that "Never Mind the Bollocks" was released when we were 16-years-old and that was really the album that crystalized a generation.
The first generation from the '50s that were in 1650 [Broadway] were pretty much all crooks, I mean just out and out crooks. And the next generation had a little more finesse. But I mean those first wave of people, you know, definitely would take all your money, no doubt about it.
I see a lot of people who have amazing stories but have been told that their work, their lives, and their stories and not the stuff of literature. Or they're first-generation college student, first-generation American, and their family just doesn't understand the art world. They have a lot of guilt. "We came all the way from [wherever] so you could do this?" Those people may not be showing the moxie, but that's because they don't even know what's possible. So I want to jump in and say, "Actually, your story is amazing, and I believe in you.".
You're talking about a younger generation, Generation Y, whose interpersonal communication skills are different from Generation X. The younger generation is more comfortable saying something through a digital mechanism than even face to face.
We're all so clogged with dead ideas passed from generation to generation that even the best of us don't know the way out.
On the musical side, I always wanted to kind of carry on Pink Floyd's sound. You know, Pink Floyd always had such an original, creative and masterful sound, but there are no new albums. My thought was that there's a way to keep their sound alive.
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