I don't want to define myself with one flavour. I love variety, like the 31 flavours from Baskin Robbins.
My most romantic job: I was a manager at Baskin-Robbins.
My first job was at Baskin-Robbins. I made store manager at 16.
While I do not have a sweet tooth, I am a fan of the dark chocolate ice cream at Baskin Robbins.
I drive by Baskin Robbins, and - I don't know, it's like - it's pretty hard. Or Dairy Queen. I go nuts. I just gotta keep going.
One Harlem preacher likens us to the pink plastic spoons at Baskin Robbins: we give the world a foretaste of what lies ahead, the vision of the Biblical prophets. In a world gone astray we should be activity demonstrating here and now God's will for the planet.
My first job ever was at Baskin-Robbins when I was 14, which is probably the closest I'll ever come to having a corporate job like the one I play on TV - although I do work for Universal, so I suppose that's corporate.
I spent loads of time in Scotland as a kid. My dad would take us back up to Aberdeen loads, and I have very fond memories of getting chips from his favourite chippy and heading down to the beach to eat Baskin Robbins ice cream.
I didn't want wrestling anymore; I wanted to not want it. But I couldn't get a job anywhere, which was part of the reason I was homeless. I couldn't get a job pumping gas. I couldn't get a job working at a warehouse, I couldn't get a job at Baskin Robbins, I couldn't get a job anywhere.
I wouldn't mind if the consumer culture went poof! overnight because then we'd all be in the same boat and life wouldn't be so bad, mucking about with the chickens and feudalism and the like. But you know what would be absolutely horrible. The worst? ... If, as we were all down on earth wearing rags and husbanding pigs inside abandoned Baskin-Robbins franchises, I were to look up in the sky and see a jet -- with just one person inside even -- I'd go berserk. I'd go crazy. Either everyone slides back into the Dark Ages or no one does.
I think it's hard to describe my style in one sentence. It depends on how I'm feeling. Sometimes I'll dress more street; other times, I'll dress more classy. I have so many different ways that I can express myself, so my style is pretty versatile.
I'm a big Marty Robbins fan. I love Marty Robbins. Of course, everybody does. That's not such a big shock.
I grew up in the inner city of Chicago, and then I moved to Robbins, and it kind of raised me. When I was in college, I actually had them change the starting lineup to say 'from Robbins, Illinois' instead of 'Chicago, Illinois.'
Maybe many directors are trying to create their own style of filmmaking, or to respond to audiences that come expect a certain style from them. But I don't care about that - I don't intend to have a 'Miike' style. I just pour myself into each film, enjoy it, and then what comes out just seems to have a 'Miike' style.
But everything written has style. The list of ingredients on the side of a cornflakes box has style. And everything literary has literary style. And style is integral to a work. How something is told correlates with - more - makes what's being told. A story is its style.
I like style. For Dior, I did more of a collaboration shoot, not just a single image - so there was more to it. It's a very prestigious brand. I like their style and feel like their style is mine.