A Quote by Jake Gyllenhaal

As an actor, I feel like I'm somebody who, when somebody gives me a mark, I don't want to hit it. I don't like that. But then, without even knowing it, I just hit it.
If you hit somebody hard enough, they will give up. You can feel their body go limp and they'll just surrender. So every time I hit somebody, the goal is to knock myself out. I know that if I hit somebody hard enough that I can feel it, it's hurting them 10 times worse.
When you make a book or you make a movie, it is almost like hitting on somebody. It's not because you want to seduce people that you will seduce them; you can hit on somebody and it doesn't work. But when you hit on them and it works, then it's really cool.
If I hit you and you hit me and I hit you back and you hit me back and go on, you see, that goes on ad infinitum. It just never ends. Somewhere somebody must have a little sense, and that's the strong person.
I don't want to be without God's blessings. If it's inconvenient, then it's just inconvenient. If somebody don't like it, then somebody just don't like it. That is part of me. That's who I am.
I am asexual. A-sexual. I read somewhere, maybe on Facebook, where somebody said something like, "I heard Bradford was gay, but then I heard he was bi." Then somebody wrote, "No, I heard he was asexual." And then somebody said, "That's bullshit - he totally hit on my friend after a show."
My first kiss was onscreen. My character learned to drive before I did, so when they asked me to hit the mark with that giant Lincoln, I hit the camera instead. Being an actor gives an interesting perspective on life. And in my case, an interesting preview.
Getting older doesn't help you in the fact that you might have covered some of this ground before. So you're listening to a song that you know is a hit, but it just can't be a hit for you, it's gonna be a hit for somebody else. That's tough.
Somebody hits me, I'm going to hit him back. Even if it does look like he hasn't eaten in a while.
I don't want to have one hit, one song of the summer, and then have me disappear forever. I really want my things to last, and I want my songs and my bodies of work to resonate with people. I want to hit people - at least make a dent in them. I want to make a mark somehow.
The assumption is simply that I hit on all the things I've hit on so far by accident, that my talent is just this raw thing that pours out of me, and then white people feel like they have to come in and contain it, refine it, and bring it to the place where it can been released.
I used to get made fun of in the minor leagues. I'd be 0 for 2, and then in my last at-bat I'd hit a chopper that wouldn't even reach the shortstop, and I'd get a hit out of it. The guys would be all over me, but a hit's a hit. I'll take 3,000 of 'em.
I would just like to be able to give to people through acting. If I can entertain people by being somebody else and allow somebody to feel something, then that makes me feel good.
It's just that I don't want to be somebody's crush. If somebody likes me, I want them to like the real me, not what they think I am. And I don't want them to carry it around inside. I want them to show me, so I can feel it too.
I just feel like people like a little break. Especially at 12:37 at night, you go, like, 'I'm just tired of the snarky right now. I just want to lie down and have somebody make me laugh for an hour. Entertain me, and then I'm going to sleep with a smile on my face.' That's my job; that's what I do.
When I graduated, I was going to go to school for law, but had such an affinity for hip-hop. It was like walking into a casino and I decided to bet everything on hip-hop, and I hit! My hit wasn't just a hit for me, it was a hit for everyone in this culture.
You feel like a criminal. Knowing you can knock somebody out and know you can put somebody in a temporary coma, that's what you want to go for. It shows how strong, how powerful a person can be to be able to do that.
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