A Quote by Jake Gyllenhaal

In that way, as an actor in particular, you're powerless. And so in that way as an actor in particular you can't make mistakes. — © Jake Gyllenhaal
In that way, as an actor in particular, you're powerless. And so in that way as an actor in particular you can't make mistakes.
When an actor comes to you and starts working with the script, the image of his character that you had in your mind gets substituted with an image of that particular actor. And this is the right way to go. An actor has to be absolutely truthful - this is the only thing required of him, apart from talent of course. It's very easy to understand: you need to absolutely believe in what you see.
There are many projects that come an actor's way, and one cannot say yes to all of them. Reasons of saying no vary all the time, but for me, it has never been on the pretext of not wanting to work with 'a particular actor' ever! I would never do that.
I don't really consider myself to be an actor of any particular style. My aim with every role I undertake is to be truthful and honest in that particular portrayal. I don't have a particular methodology from any one school of thought or training.
I don't want to be quoted as 'Tom Hiddleston, psychologist says...' But there is a psychological aspect to being an actor. We are particular students of human nature - not every actor is, of course, but that's what fascinates me about being an actor.
It's important that the actor doesn't feel like they're working in a vacuum. If the actor is told, 'Oh, it's a secret; just play it this way or that way,' it's a bit patronising. I think you have to bring the actor into your thinking and explain things.
My best stuff as a teacher was always to find the problems within each individual actor, and I'll suggest things that I know that particular actor will have difficulty with.
Working on a particular look doesn't make you a serious actor.
I'm just a hired actor who was hired for a particular job, but I think one of the joys of reading the script was the way that the personal and the global are woven together.
On indies it's hard to do, but in rehearsals, you make mistakes in rehearsal. It's really hard rehearsing a play or what rehearsal you get on any movie. That's where you get to make your mistakes, and you make big ones. So when you shoot [the movie] or you finally get the play in shape and do it, the mistakes are out of the way. If you're not afraid to make mistakes, then there is no writer's block or actor's block.
There are constraints on what counts as "Reformed." It's more than a name or a label. It's about belonging to a particular theological stream or tradition, which is shaped in important respects by particular thinkers and their work, particular arguments and ideas, a particular community (especially, particular church communities, denominations, and so on), particular liturgies or ways of worshipping and living out the Christian life, and particular confessions that inform the practices of these communities.
There is a successful formula for every actor. At the same time, I also know that a film will not be successful if you satisfy only the fans of a particular actor.
Once you start working with a particular actor, that actor becomes very present in your mind as your mind as you're writing subsequent episodes.
Men acquire a particular quality by constantly acting in a particular way.
[Television viewing] is a one-way transaction that requires the taking in of particular sensory material in a particular way, no matter what the material might be. There is, indeed, no other experience in a child's life that permits quite so much intake while demanding so little outflow.
I'm not necessarily a good actor, but once people start saying you are, you are. And I know that that's a truism, and there's obviously nothing important in that particular statement, but it's really about the fact that people create you as a good actor.
The power of literature does not lie in resonance with the particular but the way that the particular speaks to a broader, more universal truth.
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