A Quote by Jake Gyllenhaal

I think as an actor you have to be open to your emotions - that's how you tap into other characters. Besides, by being so open I've come to terms with how screwed I am! — © Jake Gyllenhaal
I think as an actor you have to be open to your emotions - that's how you tap into other characters. Besides, by being so open I've come to terms with how screwed I am!
How a diamond comes into a knot of flame How a sound comes into a word, coloured By who pays what for speaking. Some words are open. Love is a word another kind of open — As a diamond comes into a knot of flame I am black because I come from the earth's inside. Take my word for jewel in your open light.
There's all of the DVD extra material and all these other pieces of information that don't fit into a 90-minute experience, but it's still content and people still want to see it. It's being open to [the fact that] the business is changing and being open to how you can make money to afford you to stay in business to keep making new things. I think you just have to have an open mind and be really smart about stuff and not be so locked into the conventional way of how the process used to go.
How do I control my emotions? How do I stop getting angry so often, or how do I stop being sad? And I think there's a really important distinction to understand is that you can't completely control your emotions. What you control is your reaction to your own emotions. And a lot of people don't ever make that separation for what goes on with them.
Besides being asked why I write about young characters, I am often asked how I write about young characters. How do I throw myself across the chasm of full adulthood to relive that period? I guess I don’t, really. Age is not so much a feature of your character, as the spot where you stand for a pretty fleeting time on the arc of your life.
Vulnerability is the only authentic state. Being vulnerable means being open, for wounding, but also for pleasure. Being open to the wounds of life means also being open to the bounty and beauty. Don't mask or deny your vulnerability: it is your greatest asset. Be vulnerable: quake and shake in your boots with it. The new goodness that is coming to you, in the form of people, situations, and things can only come to you when you are vulnerable, i.e. open.
When you open yourself to the continually changing, impermanent, dynamic nature of your own being and of reality, you increase your capacity to love and care about other people and your capacity to not be afraid. You're able to keep your eyes open, your heart open, and your mind open. And you notice when you get caught up in prejudice, bias, and aggression. You develop an enthusiasm for no longer watering those negative seeds, from now until the day you die. And, you begin to think of your life as offering endless opportunities to start to do things differently.
It depends on who's bowling, how is the wicket playing, how I gonna score and stuff like that or how people are trying to get me out, probably that determines how open I am or otherwise how closed I am.
Awakening the mystical kundalini prematurely is dangerous, because unless you have refined your being, you'll get all screwed up, entities, weird powers ... strange things. That is why I don't teach anyone how to open up the chakras.
I think with relationships you have to risk getting hurt. You have to learn to almost know how to let your heart go when that time comes for that right person. You have to be open to having a friendship with somebody of the opposite sex. We can't let fear keep us from being open to relationships.
As an actor, you want to be open to the unexpected. So in order to be open to that, you do have to get out of your discursive mind just like in any creative process, this isn't just about acting. So you have to learn a little bit how to work with your own mind.
Watch people and how they handle other people. You have to stay open and keep your eyes open to them.
Writing a story requires you to understand how the world works, how characters think, how their emotions drive them to do surprising things, and so on. In other words, as a writer, you have to be more than a stylist. You need to learn to become a master of storytelling.
You don't realise how much you're holding onto until you start to let go of it. I had had loads of therapy and thought I had come to terms with who I am, but there's something in the process of writing that unlocks other experiences, other emotions and you have to be prepared for that.
As an actor, I am open to all possible characters that I can portray.
To be an actor or actress, you have to feel on a deep level and tap into emotions that you've never felt before. You're imagining how something would feel. You have to use your imagination so much.
Doing interviews after a game, you can't give your true emotions. You can't tap into them. So when you do that for so long, you go into acting and it can be difficult to suddenly just be open and vulnerable.
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