A Quote by Jake Hager

When you step in front of a camera, and everybody is going to have their hyped-up personality, everyone is going to have the character they are trying to play. — © Jake Hager
When you step in front of a camera, and everybody is going to have their hyped-up personality, everyone is going to have the character they are trying to play.
It's a group of guys that put their mind to going out and playing great football. Everybody that needed to step up, stepped up. Everybody that needed to make a play, made a play and that's what it's all about.
This is a corny actor thing to say, but the first step is that you can't judge the character that you're playing. If it's built in three-dimensional fashion, you'll just play a character who's going out and seeking the best version of their life that they can find. That gives the character an accessibility that everyone can identify with.
Leading up to a live event you need to do your homework and go to bed early. Sometimes it's very tempting to go out with everybody else, They're all going to a party or going out for a nice meal and you think 'oh well I'd like to go', but sometimes you think 'no, if I'm going to be sitting in front of a camera under a light in everybody's home tomorrow I don't want big bags under my eyes and not really know what I'm talking about'.
You would never dream of going on to play a scene in front of an audience at least without having rehearsed it. But you do somehow in front of a camera.
Everybody is going to die, so people are enthralled by the possibility that they don't have to completely die, that there is something that comes afterward. It's like if you're going to France for the summer, you're going to read up on it. Everyone just wants to know where they're going, or if they're going anywhere.
Each new film is like a trial. Before I step in front of the camera, I do not know whether I am going to fall or whether I am going to fly - and that is exactly the way I want it to stay.
I think half the battle is just being comfortable in front of the camera - and I already am, doing so many videos and interviews, so then it just takes that extra step of trying to get into character.
Going into Portland, I was just trying to not step on anybody's toes, stay quiet, and play my game. I think I was just trying to figure out the kind of sequences I was going to see as a hitter and learn from that.
Everybody is talking and everybody is trying to block things out, but eventually you just yell, "Action!," everybody starts moving, the camera starts going, and you get a take.
If you made me the national commissioner of football, I'd tell you one thing that I would mandate. The second Saturday in September, we're going to have conference day. Everybody from the SEC plays a Big 12 team. Everybody from the Big Ten is going to play the ACC. Everybody from the Big East is going to play the Pac-10.
Every time I step in front of a camera I feel young again. I really do. It keeps your mind active and it keeps you going.
In the beginning, I was always playing some kind of gangbanger and the token Mexican dude who didn't have a lot of lines but was in the entire movie. At the same time, everyone gets typecast, and I decided that if I was going to play a stereotypical role, I was going to play it like a three-dimensional character.
We're going to step on the field knowing that every team we're going against is going to push their game to that whole new level that we probably hadn't seen. ... We've just got to be ready to step up with them
Everybody is great and the chemistry is different with everyone. That is the joy of acting - you really don't know how it is going to go until you turn up. It's like playing tennis, you can't plan for the match you are going to play until you are actually up against your opponent and what happens, happens. That is the joy of being on set.
When I edit, I'm not from the school of Hello, I'm a genius, so everybody shut up. I'm from the school of Let's play it once in front of an audience, and then I'll tell you where it is going
When I edit, I'm not from the school of Hello, I'm a genius, so everybody shut up. I'm from the school of Let's play it once in front of an audience, and then I'll tell you where it is going.
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